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Music in Pikmin 3: Difference between revisions
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{{ | {{page title| Music in ''Pikmin 3''}} | ||
{{game icons|p3=y}} | |||
The '''music''' of {{p3}} accompanies every mode of the game, from themes and cues during gameplay to scores of cutscenes and menus, in order to enhance the various moods of the game and to direct gameplay. Generally, the textural style of the music reflects either the technology of [[Koppai]], the scenic environment of [[PNF-404]], or the progression of the story and the quirky nature of [[Pikmin family|Pikmin]]. In the spirit of compositions for the [[Pikmin series|''Pikmin'' series]], this installment features dynamic music that adapts to what occurs in the game, using parameters such as what tasks Pikmin are carrying out, the time of [[day]], and the weather in a particular [[area]]. Between gameplay, pre-rendered cutscenes are scored by a Hollywood-style orchestra, and in-game cutscenes are textured by varied loops and cues of music. Compared with the music of the previous games, this game's music is much more atmospheric and ethereal; melody is only germane in establishing {{w|leitmotif}}s in the game. This game's music also contains many more original synthesized instruments, to heighten the theme of futurism and to give the soundtrack personality. | The '''music''' of {{p3}} accompanies every mode of the game, from themes and cues during gameplay to scores of cutscenes and menus, in order to enhance the various moods of the game and to direct gameplay. Generally, the textural style of the music reflects either the technology of [[Koppai]], the scenic environment of [[PNF-404]], or the progression of the story and the quirky nature of [[Pikmin family|Pikmin]]. In the spirit of compositions for the [[Pikmin series|''Pikmin'' series]], this installment features dynamic music that adapts to what occurs in the game, using parameters such as what tasks Pikmin are carrying out, the time of [[day]], and the weather in a particular [[area]]. Between gameplay, pre-rendered cutscenes are scored by a Hollywood-style orchestra, and in-game cutscenes are textured by varied loops and cues of music. Compared with the music of the previous games, this game's music is much more atmospheric and ethereal; melody is only germane in establishing {{w|leitmotif}}s in the game. This game's music also contains many more original synthesized instruments, to heighten the theme of futurism and to give the soundtrack personality. | ||
The soundtrack to ''Pikmin 3'' was composed by Asuka Hayazaki, Atsuko Asahi, and Hajime Wakai, under no official name. Like the previous soundtracks in the series, all the sounds are synthesized or samples attempting to mimic real instruments. This installment of the series features the most advanced sound technology yet, producing very realistic representations of real instruments. However, unlike [[Music in Pikmin 2|the music in the previous game]], this game's music is all pre-rendered, not played note-by-note in real time; this allows for new instruments, new textures, and new experimentation with sound, at the cost of a less flexible soundtrack. | The soundtrack to ''Pikmin 3'' was composed by Asuka Hayazaki, Atsuko Asahi, and Hajime Wakai, under no official name. Like the previous soundtracks in the series, all the sounds are synthesized or samples attempting to mimic real instruments. This installment of the series features the most advanced sound technology yet, producing very realistic representations of real instruments. However, unlike [[Music in Pikmin 2|the music in the previous game]], this game's music is all pre-rendered, not played note-by-note in real time; this allows for new instruments, new textures, and new experimentation with sound, at the cost of a less flexible soundtrack. | ||
It should be noted that all titles for ''Pikmin 3'' music in this article and elsewhere are conjectural, as the tracks have no known official names. | The initials of the composer that worked on a particular song are usually present in the internal name, such as "w" for Hajime Wakai, "aa" for Atsuko Asahi, or "as" for Soshi Abe. It also should be noted that all titles for ''Pikmin 3'' music in this article and elsewhere are conjectural, as the tracks have no known official names. | ||
==Leitmotifs== | ==Leitmotifs== | ||
| Line 16: | Line 16: | ||
}} | }} | ||
{{columns|0| | {{columns|0| | ||
[[File:Pikmin 2 Theme.png|thumb|300px|center|[[File:Pikmin2Motif.ogg]] "The {{ | [[File:Pikmin 2 Theme.png|thumb|300px|center|[[File:Pikmin2Motif.ogg]] "The {{p1}} motif", denoting Pikmin themselves.]] | ||
| | | | ||
[[File:Success and Adventure Motif.png|thumb|300px|center|[[File:SuccessMotif.ogg]] The "success motif", denoting a success or setting a victorious mood.]] | [[File:Success and Adventure Motif.png|thumb|300px|center|[[File:SuccessMotif.ogg]] The "success motif", denoting a success or setting a victorious mood.]] | ||
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{{infobox track | {{infobox track | ||
|name= | |name=Title screen | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=IrIPHIXe6aU&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=1 | ||
|internal=STRM_BGM_Title_48k.bfstm | |internal=STRM_BGM_Title_48k.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
The main theme of the game, heard in the [[ | The main theme of the game, heard in the [[title screen]]. This fluent, swirling demonstration of the music program's aptitude continues the tradition of main themes being waltzes, although this one is the longest and most complex of the three. A harp and glockenspiel are most prominent with the melody (a transformation of the ''Pikmin 2'' motif into a scalar gesture), along with one grand flourish in the harp when the melody returns. Strings provide harmonies and interest using pizzicato and small divisi solos. Finally, the small sounds kalimba and marimba distinguish this as a Pikmin theme. The whole theme definitely plays the natural beauty of PNF-404; when it concludes, birdsong and rushing water sounds fade in, while the ensemble drones quietly around F major and its progression, a few instruments playing the ''Pikmin 2'' motif here and there. | ||
{{clear}} | {{clear}} | ||
{{infobox track | {{infobox track | ||
|name=Day | |name=Day selection | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=UFwNK3oBYJQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=4 | ||
|internal=FileSelect.o.48.dspadpcm.bfstm | |internal=FileSelect.o.48.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Today's report | |name=Today's report | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=MTQuMyFN5P4&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=30 | ||
|internal=Result.o.48.dspadpcm.bfstm | |internal=Result.o.48.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=S.S. Drake | |name=S.S. Drake | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=1jCcrrZC_GE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=16 | ||
|internal = STRM_BGM_Mapselect_48k.bfstm | |internal = STRM_BGM_Mapselect_48k.bfstm | ||
|header = y | |header = y | ||
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{{infobox track | {{infobox track | ||
|name=Mission Mode menu | |name=Mission Mode menu | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=zitAr7nZbi4&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=71 | ||
|internal=MissionSelect.o.48.dspadpcm.bfstm | |internal=MissionSelect.o.48.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
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|name=Side Stories menu | |name=Side Stories menu | ||
|link=https://youtu.be/KgCrTxs1t1k | |link=https://youtu.be/KgCrTxs1t1k | ||
|internal= | |internal=SidestorySelect.as.48.dspadpcm | ||
|composer =Soshi Abe | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Bingo Battle menu | |name=Bingo Battle menu | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=N5hWHnXBEcg&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=65 | ||
|internal=Vsselect.aa.48.dspadpcm.bfstm | |internal=Vsselect.aa.48.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Mission results | |name=Mission results | ||
|link=https:// | |link=https://www.youtube.com/watch?v=lnFFlys_WYs&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=75 | ||
|internal=m_result.o.32.dspadpcm | |internal=m_result.o.32.dspadpcm | ||
|composer =Hajime Wakai | |||
|header = y | |header = y | ||
}} | }} | ||
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|name=Side Story results | |name=Side Story results | ||
|link=https://youtu.be/HA78oKMGXuc | |link=https://youtu.be/HA78oKMGXuc | ||
|internal= | |internal=SideStory_Result.as.48.dspadpcm | ||
|composer =Soshi Abe | |||
|header = y | |header = y | ||
}} | }} | ||
Heard during the results menu of a Side Stories mission. This shares some similarities to the Mission Mode results theme, such as the strong snare drum rhythm and the sound of the bass synth, | Heard during the results menu of a Side Stories mission. This shares some similarities to the Mission Mode results theme, such as the strong snare drum rhythm and the sound of the bass synth, and shares some similarities to the [[Music in Pikmin#Level Select|saved game selection menu theme from ''Pikmin'' and ''Pikmin 2'']], such as the ostinato in the background and some of the sound effects. The melody, played on a brass-like synth, prominently uses the {{w|Tresillo (rhythm)|Tresillo rhythm}}. Interestingly, [[The President]] indicates that he composed the song in the dialog box when the player gets a platinum medal. This theme is exclusive to ''Pikmin 3 Deluxe''. | ||
{{clear}} | {{clear}} | ||
==Cutscenes== | ==Cutscenes== | ||
Most of the [[cutscene]]s of the game have pre-rendered soundtracks, as they are usually a specified length. The theatrical cutscenes have a Hollywood-style orchestra to perform them, plus electronics. Meanwhile, the in-game cutscenes can sometimes have a looped theme, since dialog occurs over the cutscene that requires player input to progress. These cutscenes can be performed by a wide range of ensembles and electronics, as they all have varying moods and contexts to convey. | Most of the [[cutscene]]s of the game have pre-rendered soundtracks, as they are usually a specified length. The theatrical cutscenes have a Hollywood-style orchestra to perform them, plus electronics. Meanwhile, the in-game cutscenes can sometimes have a looped theme, since dialog occurs over the cutscene that requires player input to progress. These cutscenes can be performed by a wide range of ensembles and electronics, as they all have varying moods and contexts to convey. | ||
{{infobox track | {{infobox track | ||
|name=Loading screen | |name=Loading screen | ||
|link= | |link=https://www.youtube.com/watch?v=Mp2XqMK54QU&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=2 | ||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Story Mode opening | |name=Story Mode opening | ||
|link= | |link=https://www.youtube.com/watch?v=cDp5pnQOGRE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=3 | ||
|header = y | |header = y | ||
}} | }} | ||
Heard during attraction mode, or when a new game begins. The first-ever narrator in the series (voice of Julian Macfarlane) reads the following passage, which contains key elements that change the soundtrack. | Heard during attraction mode, or when a new game begins. The first-ever narrator in the series (voice of Julian Macfarlane) reads the following passage, which contains key elements that change the soundtrack. | ||
{{transcript|Galactic date: 20XX. At the far reaches of space lies a planet on the brink of ruin. The planet's name: Koppai. Due to a booming population, booming appetites, and a basic lack of planning, Koppai's inhabitants have all but exhausted their food supply. Their only hope is to find another planet with edible matter. Accordingly, they send unmanned scout vessels called SPEROs out into space. To their dismay, the search is proving fruitless. Just as they're about to give up, the final vessel reports back with news of a miraculous discovery. They mobilize to investigate the planet which they name PNF-404. Koppai's last hope rests on three intrepid explorers. At last, the explorers' 279,000-light-year voyage nears its end. But, as they initiate the landing sequence, something goes horribly wrong.}} | {{transcript|Galactic date: 20XX. At the far reaches of space lies a planet on the brink of ruin. The planet's name: Koppai. Due to a booming population, booming appetites, and a basic lack of planning, Koppai's inhabitants have all but exhausted their food supply. Their only hope is to find another planet with edible matter. Accordingly, they send unmanned scout vessels called SPEROs out into space. To their dismay, the search is proving fruitless. Just as they're about to give up, the final vessel reports back with news of a miraculous discovery. They mobilize to investigate the planet which they name PNF-404. Koppai's last hope rests on three intrepid explorers. At last, the explorers' 279,000-light-year voyage nears its end. But, as they initiate the landing sequence, something goes horribly wrong.|block=y}} | ||
Before the passage begins, a dramatic percussion hit silences the audience, with a quiet A in bass strings immediately disconcerting the mood. After the galactic date, a synthesized bass joins this A, bringing overtones into the passing drone. Only when the narrator introduces [[Koppai]] does this texture change. Pad strings and a small gesture in a triangle wave follow the appearance of the planet, and tremolo strings in an F-Lydian chord accent the name "Koppai". The next sentence begins with a low tam-tam, and reverb from the previous gesture morphs into an organ-like synthesizer, violins playing open notes, and a small gesture in marimba accent Koppai's predicament, although focusing more still on its introduction. This fades into reverb; at "another planet", a new texture arrives. As it plays the technology of space travel and [[SPERO]]s, it is entirely synthesized, and quite major. Reverberant strings bring it down, however, clogging this initial texture until "to their dismay", when the whole texture ends on C minor and falters away. At "the final vessel", the music suddenly builds into a major orchestral sting, with full strings, horns, and timpani. The texture is by no means "miraculous" sounding; its dissonant blaring around D minor leaves the mood of PNF-404 very ambiguous. But this thins out to a simple triumphant counterpoint in pad strings when "they mobilize". At "Koppai's last hope", the theme gains power from a trumpet, and loses reverb to become more coherent. As the narrator pauses, a drum machine, timpani, and tambourine accent the space travel scene. A trumpet toots the triumphant "Koppaite motif", under a quiet chip-tone texture. A harp flourish sweeps out this beat at "nears its end". The music is now continued in the orchestra, but it quickly spirals into dissonant whole-tone harmonies as "they initiate the landing sequence". Percussion mounts the tension until the big release at "something goes horribly wrong", when the resolving high D sustains in violins over decaying cellos. It all fades, and when the three leaders plummet to PNF-404, only a lone shimmering drone in F returns. The final gesture is an echoing synthesized ''Pikmin 2'' motif, in a sustained chord context. Unlike [[Music in Pikmin 2#Opening cinema|the prologue in the previous game]], this ending is much more ambiguous, the major turnaround only suggesting the title of the game and not the fate of the Koppaites. | Before the passage begins, a dramatic percussion hit silences the audience, with a quiet A in bass strings immediately disconcerting the mood. After the galactic date, a synthesized bass joins this A, bringing overtones into the passing drone. Only when the narrator introduces [[Koppai]] does this texture change. Pad strings and a small gesture in a triangle wave follow the appearance of the planet, and tremolo strings in an F-Lydian chord accent the name "Koppai". The next sentence begins with a low tam-tam, and reverb from the previous gesture morphs into an organ-like synthesizer, violins playing open notes, and a small gesture in marimba accent Koppai's predicament, although focusing more still on its introduction. This fades into reverb; at "another planet", a new texture arrives. As it plays the technology of space travel and [[SPERO]]s, it is entirely synthesized, and quite major. Reverberant strings bring it down, however, clogging this initial texture until "to their dismay", when the whole texture ends on C minor and falters away. At "the final vessel", the music suddenly builds into a major orchestral sting, with full strings, horns, and timpani. The texture is by no means "miraculous" sounding; its dissonant blaring around D minor leaves the mood of PNF-404 very ambiguous. But this thins out to a simple triumphant counterpoint in pad strings when "they mobilize". At "Koppai's last hope", the theme gains power from a trumpet, and loses reverb to become more coherent. As the narrator pauses, a drum machine, timpani, and tambourine accent the space travel scene. A trumpet toots the triumphant "Koppaite motif", under a quiet chip-tone texture. A harp flourish sweeps out this beat at "nears its end". The music is now continued in the orchestra, but it quickly spirals into dissonant whole-tone harmonies as "they initiate the landing sequence". Percussion mounts the tension until the big release at "something goes horribly wrong", when the resolving high D sustains in violins over decaying cellos. It all fades, and when the three leaders plummet to PNF-404, only a lone shimmering drone in F returns. The final gesture is an echoing synthesized ''Pikmin 2'' motif, in a sustained chord context. Unlike [[Music in Pikmin 2#Opening cinema|the prologue in the previous game]], this ending is much more ambiguous, the major turnaround only suggesting the title of the game and not the fate of the Koppaites. | ||
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{{infobox track | {{infobox track | ||
|name=Captain Charlie's introduction | |name=Captain Charlie's introduction | ||
|link= | |link=https://www.youtube.com/watch?v=zQzoihSGESQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=5 | ||
|internal = demo_BossEDie2_CharlieTheme.aa.32.dspadpcm.bfstm demo_c00_CharlieTheme.aa.32.dspadpcm.bfstm | |internal =demo_BossEDie2_CharlieTheme.aa.32.dspadpcm.bfstm demo_c00_CharlieTheme.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Peculiar discovery | |name=Peculiar discovery | ||
|link= | |link=https://www.youtube.com/watch?v=VYlvCnIC5ns&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=7 | ||
|internal = demo_a02.o.32.dspadpcm.bfstm | |internal = demo_a02.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Tutorial | |name=Tutorial | ||
|link= | |link=https://www.youtube.com/watch?v=5V4VY3mgqQA&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=6 | ||
|internal = Minigame.aa.32.dspadpcm.bfstm Minigame_Introless.aa.32.dspadpcm.bfstm | |internal = Minigame.aa.32.dspadpcm.bfstm Minigame_Introless.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Charlie's cliffhanger | |name=Charlie's cliffhanger | ||
|link= | |link=https://www.youtube.com/watch?v=L2Nob9h1iqw&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=8 | ||
|internal = demo_c06.o.32.dspadpcm.bfstm | |internal = demo_c06.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Alph awakens | |name=Alph awakens | ||
|link= | |link=https://www.youtube.com/watch?v=yUScT71SbFE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=9 | ||
|internal = demo_a00.o.32.dspadpcm.bfstm | |internal = demo_a00.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Red Pikmin encounter | |name=Red Pikmin encounter | ||
|link= | |link=https://www.youtube.com/watch?v=3sDAIic0Vzg&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=11 | ||
|internal = demo_a01.o.32.dspadpcm.bfstm | |internal = demo_a01.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Found important item | |name=Found important item | ||
|link= | |link=https://www.youtube.com/watch?v=rYU950P0alI&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=14 | ||
|internal = demo_glad.aa.32.dspadpcm.bfstm | |internal = demo_glad.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
Heard when an important non-Pikmin item is discovered, such as the first piece of [[fruit]] or the [[KopPad]]. This is a new rendition of the [[Music in Pikmin 2#Success|success theme]], with more prominent flutes with vibrato playing the "success" motif, and a clearer sound in the harmony and bass, thanks to an acoustic guitar sound. Percussion is also added in this rendition, another element adding to the satisfying conclusiveness of this tonal motif. | Heard when an important non-Pikmin item is discovered, such as the first piece of [[fruit]] or the [[KopPad]]. This is a new rendition of the [[Music in Pikmin 2#Success|success theme]], with more prominent flutes with vibrato playing the "success" motif, and a clearer sound in the harmony and bass, thanks to an acoustic guitar sound. Percussion is also added in this rendition, another element adding to the satisfying conclusiveness of this tonal motif. | ||
The fanfare then continues into a looping section, which is a new rendition of the [[Music in Pikmin 2#Success|success theme]]'s loop, although thinner, and with a softer percussion mix and melodic instrument. All of the synthesizers used here are once again very adept at conveying a "space explorer" mood. | |||
{{clear}} | {{clear}} | ||
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{{infobox track | {{infobox track | ||
|name=New Pikmin type | |name=New Pikmin type | ||
|link= | |link=https://www.youtube.com/watch?v=TZEPYXKxb_c&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=13 | ||
|internal = demo_get_pikmin.w.32.dspadpcm.bfstm | |internal = demo_get_pikmin.w.32.dspadpcm.bfstm | ||
|composer =Hajime Wakai | |||
|header = y | |header = y | ||
}} | }} | ||
Heard when a new type of Pikmin is plucked or found. Again, a mixture of synthesizers and small natural instruments introduce the Pikmin, this time with a decoration of the ''Pikmin 2'' motif. One should notice how the melodic synthesizer detunes at the end of the cue, leading into the dialogue about new Pikmin. | Heard when a new type of Pikmin is plucked or found. Again, a mixture of synthesizers and small natural instruments introduce the Pikmin, this time with a decoration of the ''Pikmin 2'' motif. One should notice how the melodic synthesizer detunes at the end of the cue, leading into the dialogue about new Pikmin. | ||
The simple and playful loop that follows has an easy melody and not very many instruments; it allows the player and the leader to adjust to a new type of Pikmin. It also plays the characteristics of the Pikmin, such as if a Pikmin is demonstrating its ability during the cutscene. Before it loops, it slows down. | |||
{{clear}} | {{clear}} | ||
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{{infobox track | {{infobox track | ||
|name=Found S.S. Drake | |name=Found S.S. Drake | ||
|link= | |link=https://www.youtube.com/watch?v=7LS---x8kAA&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=15 | ||
|internal = demo_a10_00.o.32.dspadpcm.bfstm | |internal = demo_a10_00.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 254: | Line 253: | ||
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/019-signs-of-life-.mp3 | |link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/019-signs-of-life-.mp3 | ||
|internal = demo_a10_01.o.32.dspadpcm.bfstm | |internal = demo_a10_01.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=Brittany's theme | |name=Brittany's theme | ||
|link= | |link=https://www.youtube.com/watch?v=rnds7sIHFjQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=22 | ||
|internal = demo_a10_2_Connect.aa.32.dspadpcm.bfstm | |internal = demo_a10_2_Connect.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 272: | Line 273: | ||
{{infobox track | {{infobox track | ||
|name=Nocturnal predators | |name=Nocturnal predators | ||
|link= | |link=https://www.youtube.com/watch?v=Zb6JgDGJpAQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=26 | ||
|internal = demo_a10_03.o.32.dspadpcm.bfstm | |internal = demo_a10_03.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 282: | Line 284: | ||
{{infobox track | {{infobox track | ||
|name=Area loading | |name=Area loading | ||
|link= | |link=https://www.youtube.com/watch?v=Q7LXJunYcO0&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=31 | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 291: | Line 293: | ||
{{infobox track | {{infobox track | ||
|name=Land in a new area | |name=Land in a new area | ||
|link= | |link=https://www.youtube.com/watch?v=PWhEcb8VhXY&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=17 | ||
|internal = demo_CourseIn.o.32.dspadpcm.bfstm demo_CourseIn_d00.o.32.dspadpcm.bfstm | |internal = demo_CourseIn.o.32.dspadpcm.bfstm demo_CourseIn_d00.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 303: | Line 306: | ||
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/026-a-new-discovery-.mp3 | |link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/026-a-new-discovery-.mp3 | ||
|internal = demo_explain_loop.aa.32.dspadpcm.bfstm | |internal = demo_explain_loop.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 313: | Line 317: | ||
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/027-a-learning-experience.mp3 | |link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/027-a-learning-experience.mp3 | ||
|internal = demo_explain_loop.aa.32.dspadpcm.bfstm | |internal = demo_explain_loop.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 321: | Line 326: | ||
{{infobox track | {{infobox track | ||
|name=Found Brittany | |name=Found Brittany | ||
|link= | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/48.%2520Brittany%2527s...%2520Asleep%2521.mp3 | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 330: | Line 335: | ||
{{infobox track | {{infobox track | ||
|name=Brittany's theme reprise | |name=Brittany's theme reprise | ||
|link= | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/49.%2520Brittany%2520Awakens.mp3 | ||
|internal = demo_b11_Briconnect.aa.32.dspadpcm.bfstm | |internal = demo_b11_Briconnect.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 340: | Line 346: | ||
{{infobox track | {{infobox track | ||
|name=Medusal Slurker encounter | |name=Medusal Slurker encounter | ||
|link= | |link=https://www.youtube.com/watch?v=IX3QOXzdl4g&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=24 | ||
|internal = demo_b07_JellyfishFind.aa.32.dspadpcm.bfstm | |internal = demo_b07_JellyfishFind.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 350: | Line 357: | ||
{{infobox track | {{infobox track | ||
|name=Rescued Brittany | |name=Rescued Brittany | ||
|link= | |link=https://www.youtube.com/watch?v=V3ohan3OD40&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=21 | ||
|internal = demo_b13_Briagain.aa.32.dspadpcm.bfstm | |internal = demo_b13_Briagain.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 360: | Line 368: | ||
{{infobox track | {{infobox track | ||
|name=Recovered important item (loop) | |name=Recovered important item (loop) | ||
|link= | |link=https://www.youtube.com/watch?v=3AX0nDx7f2s&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=25 | ||
|internal = demo_get_Equipment.w.32.dspadpcm.bfstm | |internal = demo_get_Equipment.w.32.dspadpcm.bfstm | ||
|composer =Hajime Wakai | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 370: | Line 379: | ||
{{infobox track | {{infobox track | ||
|name=End of day | |name=End of day | ||
|link= | |link=https://www.youtube.com/watch?v=T_4QdMiVgcE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=28 | ||
|internal = demo_dayend_normal.w.32.dspadpcm.bfstm | |internal = demo_dayend_normal.w.32.dspadpcm.bfstm | ||
|composer =Hajime Wakai | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 380: | Line 390: | ||
{{infobox track | {{infobox track | ||
|name=Pikmin suffering | |name=Pikmin suffering | ||
|link= | |link=https://www.youtube.com/watch?v=0a0TV_cZU7g&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=37 | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 389: | Line 399: | ||
{{infobox track | {{infobox track | ||
|name=Pikmin suffering (loop) | |name=Pikmin suffering (loop) | ||
|link= | |link=https://www.youtube.com/watch?v=-jmMVaCEX08&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=39 | ||
|internal = demo_z17_PikuminDrown.aa.32.dspadpcm.bfstm | |internal = demo_z17_PikuminDrown.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 401: | Line 412: | ||
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/080-alph-down....mp3 | |link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/080-alph-down....mp3 | ||
|internal = demo_PlayerDown.w.32.dspadpcm.bfstm | |internal = demo_PlayerDown.w.32.dspadpcm.bfstm | ||
|composer =Hajime Wakai | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 411: | Line 423: | ||
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/101-pikmin-extinction....mp3 | |link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/101-pikmin-extinction....mp3 | ||
|internal = demo_PikminExtinction.w.32.dspadpcm.bfstm | |internal = demo_PikminExtinction.w.32.dspadpcm.bfstm | ||
|composer =Hajime Wakai | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 419: | Line 432: | ||
{{infobox track | {{infobox track | ||
|name=Game over | |name=Game over | ||
|link= | |link=https://www.youtube.com/watch?v=moIZvRL7p4A&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=63 | ||
|internal = Gameover.o.32.dspadpcm.bfstm | |internal = Gameover.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
Heard when a [[day]] ends with no [[juice]] remaining. A decelerating clock tick and baritone saxophone chime in to bring the playthrough's events to a sluggish close. Based on the whole-tone tendencies, the comical jaw-harp-like harmony, and the detuning timpani hit near the end, this | Heard when a [[day]] ends with no [[juice]] remaining. A decelerating clock tick and baritone saxophone chime in to bring the playthrough's events to a sluggish close. Based on the whole-tone tendencies, the comical jaw-harp-like harmony, and the detuning timpani hit near the end, the introduction to this theme seems to be playing more to mocking the failure of the player than to the doleful fate of the Koppaites. It seems that its brevity was intended to sound anticlimactic, perhaps to give the player more hope and indirect encouragement to continue. | ||
The loop that follows is drastically different from the cue right before it. More of a collection of sounds, this loop uses space and register very adeptly, filling it with far-fetched and unrecognizable textures. Each sound on its own is triadic, or at least tonally coherent, but together they all mold together into a juxtaposition of modes, providing a background music bed. The looseness of this theme can be explained by its anomalous purpose: this theme has to score the game after the game is over. | |||
{{clear}} | {{clear}} | ||
| Line 439: | Line 445: | ||
{{infobox track | {{infobox track | ||
|name=Land in Distant Tundra | |name=Land in Distant Tundra | ||
|link= | |link=https://www.youtube.com/watch?v=wesaf5NbZZo&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=43 | ||
|internal = demo_CourseIn_c07.o.32.dspadpcm.bfstm | |internal = demo_CourseIn_c07.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 449: | Line 456: | ||
{{infobox track | {{infobox track | ||
|name=Captain Charlie's theme | |name=Captain Charlie's theme | ||
|link= | |link=https://www.youtube.com/watch?v=74nS7sHYeWQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=46 | ||
|internal = demo_c23_CharlieRap.aa.32.dspadpcm.bfstm | |internal = demo_c23_CharlieRap.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 459: | Line 467: | ||
{{infobox track | {{infobox track | ||
|name=Louie's theme | |name=Louie's theme | ||
|link= | |link=https://www.youtube.com/watch?v=JHQSYiUwJZs&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=51 | ||
|internal = demo_d06_02.o.32.dspadpcm.bfstm | |internal = demo_d06_02.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 471: | Line 480: | ||
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/078-louie-analysis.mp3 | |link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/078-louie-analysis.mp3 | ||
|internal = demo_get_luie.w.32.dspadpcm.bfstm | |internal = demo_get_luie.w.32.dspadpcm.bfstm | ||
|composer =Hajime Wakai | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 479: | Line 489: | ||
{{infobox track | {{infobox track | ||
|name=Louie escaped | |name=Louie escaped | ||
|link= | |link=https://www.youtube.com/watch?v=ahGcrOG4Kkk&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=54 | ||
|internal = demo_b22.o.32.dspadpcm.bfstm | |internal = demo_b22.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 489: | Line 500: | ||
{{infobox track | {{infobox track | ||
|name=Found Olimar | |name=Found Olimar | ||
|link= | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/204.%2520Formidable%2520Oak%2520%2528Exterior%252C%2520Wraith%2527s%2520Lullaby%2529.mp3 | ||
|internal = demo_e12_FindOlimar.aa.32.dspadpcm.bfstm | |internal = demo_e12_FindOlimar.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 499: | Line 511: | ||
{{infobox track | {{infobox track | ||
|name=Found Olimar (loop) | |name=Found Olimar (loop) | ||
|link= | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/204.%2520Formidable%2520Oak%2520%2528Exterior%252C%2520Wraith%2527s%2520Lullaby%2529.mp3 | ||
|internal = demo_e12_FindOlimar.aa.32.dspadpcm.bfstm | |internal = demo_e12_FindOlimar.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 509: | Line 522: | ||
{{infobox track | {{infobox track | ||
|name=Olimar released | |name=Olimar released | ||
|link= | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/205.%2520Formidable%2520Oak%2520%2528Exterior%252C%2520Mysterious%2520Life-Form%2520Battle%2520and%2520Aftermath%2529.mp3 | ||
|internal = demo_BossEHenka.aa.32.dspadpcm.bfstm | |internal = demo_BossEHenka.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 519: | Line 533: | ||
{{infobox track | {{infobox track | ||
|name=Olimar released (loop) | |name=Olimar released (loop) | ||
|link= | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/205.%2520Formidable%2520Oak%2520%2528Exterior%252C%2520Mysterious%2520Life-Form%2520Battle%2520and%2520Aftermath%2529.mp3 | ||
|internal = demo_BossEHenka.aa.32.dspadpcm.bfstm | |internal = demo_BossEHenka.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 529: | Line 544: | ||
{{infobox track | {{infobox track | ||
|name=Mysterious Life-form appears | |name=Mysterious Life-form appears | ||
|link= | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/206.%2520The%2520Mysterious%2520Life-Form%2520Appears.mp3 | ||
|internal = demo_e01_BossEAppear.aa.32.dspadpcm.bfstm | |internal = demo_e01_BossEAppear.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 539: | Line 555: | ||
{{infobox track | {{infobox track | ||
|name=Conclusion cutscene | |name=Conclusion cutscene | ||
|link=https:// | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/213.%2520Captain%2520Olimar%2520and%2520the%2520Cosmic%2520Key.mp3 | ||
|internal=demo_s02_ending01_mix.yr.32.dspadpcm.bfstm | |internal=demo_s02_ending01_mix.yr.32.dspadpcm.bfstm | ||
|header = y | |header = y | ||
| Line 553: | Line 569: | ||
{{infobox track | {{infobox track | ||
|name=Ending (modest supply) | |name=Ending (modest supply) | ||
|link=https:// | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/215.%2520Epilogue%2520%2528Bad%252C%2520Narration%2529.mp3 | ||
|internal = STRM_DEMO_s03_Epilogue01_48k.bfstm | |internal =STRM_DEMO_s03_Epilogue01_48k.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 563: | Line 579: | ||
{{infobox track | {{infobox track | ||
|name=Ending (reasonable supply) | |name=Ending (reasonable supply) | ||
|link=https:// | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/217.%2520Epilogue%2520%2528Okay%252C%2520Narration%2529.mp3 | ||
|internal = STRM_DEMO_s03_Epilogue02_48k.bfstm | |internal =STRM_DEMO_s03_Epilogue02_48k.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 573: | Line 589: | ||
{{infobox track | {{infobox track | ||
|name=Ending (healthy supply) | |name=Ending (healthy supply) | ||
|link= | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/219.%2520Epilogue%2520%2528Good%252C%2520Narration%2529.mp3 | ||
|internal = STRM_DEMO_s03_Epilogue03_48k.bfstm | |internal =STRM_DEMO_s03_Epilogue03_48k.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 583: | Line 599: | ||
{{infobox track | {{infobox track | ||
|name=Ending (bountiful supply) | |name=Ending (bountiful supply) | ||
|link=https:// | |link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/221.%2520Epilogue%2520%2528Best%252C%2520Narration%2529.mp3 | ||
|internal = STRM_DEMO_s03_Epilogue04_48k.bfstm | |internal =STRM_DEMO_s03_Epilogue04_48k.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 593: | Line 609: | ||
{{infobox track | {{infobox track | ||
|name=Credits | |name=Credits | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=ERuiiudNEpE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=64 | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 610: | Line 626: | ||
|name=Garden/Field/River/Tundra survey | |name=Garden/Field/River/Tundra survey | ||
|link=https://youtu.be/fNrkPy0z-ss | |link=https://youtu.be/fNrkPy0z-ss | ||
|composer =Babi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 619: | Line 636: | ||
|name=Oak survey | |name=Oak survey | ||
|link=https://youtu.be/wu89m1CNHlQ | |link=https://youtu.be/wu89m1CNHlQ | ||
|composer =Soshi Abe | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 628: | Line 646: | ||
|name=Olimar's Assignment ending | |name=Olimar's Assignment ending | ||
|link=https://youtu.be/zxXfRBnOgBw | |link=https://youtu.be/zxXfRBnOgBw | ||
|composer =Soshi Abe | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 637: | Line 656: | ||
|name=Olimar's Comeback ending | |name=Olimar's Comeback ending | ||
|link=https://youtu.be/_D_lxcZSz74 | |link=https://youtu.be/_D_lxcZSz74 | ||
|composer =Soshi Abe, Babi | |||
|header = y | |header = y | ||
}} | }} | ||
Heard during the ending cutscene of Olimar's Comeback. The first part of the theme contains long and epic-sounding chords to emphasize the lift-off of Olimar and Louie. The second part of the theme is | Heard during the ending cutscene of Olimar's Comeback. The first part of the theme contains long and epic-sounding chords to emphasize the lift-off of Olimar and Louie. The second part of the theme is composed by Babi, also featuring her own live voice performance. It retains the style of the Side Stories gameplay themes, and contains sparse notes between piano, percussion, strings, and some additional Pikmin voice samples. This theme is exclusive to ''Pikmin 3 Deluxe''. | ||
{{clear}} | {{clear}} | ||
| Line 659: | Line 679: | ||
{{infobox track | {{infobox track | ||
|name=Alph's Crash Site | |name=Alph's Crash Site | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=dFyApDXpALw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=1 | ||
|internal=STRM_BGM_Tutorial.bfstm | |internal=STRM_BGM_Tutorial.bfstm | ||
|composer =Asuka Hayazaki | |||
}} | }} | ||
| Line 680: | Line 701: | ||
{{infobox track | {{infobox track | ||
|name=Garden of Hope | |name=Garden of Hope | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=VWdlbMwx9Is&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=2 | ||
|internal=STRM_BGM_mapB_Morning.bfstm STRM_BGM_mapB_Day.bfstm mapB_Evening.o.32.dspadpcm.bfstm | |internal=STRM_BGM_mapB_Morning.bfstm STRM_BGM_mapB_Day.bfstm mapB_Evening.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
}} | }} | ||
| Line 690: | Line 709: | ||
'''Instruments''' | '''Instruments''' | ||
*'''Main version''': Flute, pan flute, clarinet, bassoon, marimba, | *'''Main version''': Flute, pan flute, clarinet, bassoon, marimba, accordions, harp, glockenspiel-like synthesizer, and violins and violas. | ||
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection. | *'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection. | ||
*'''Task mix''': Hand drum, djembe, shaker, and pizzicato cellos. | *'''Task mix''': Hand drum, djembe, shaker, vocal synthesizer, and pizzicato cellos. | ||
*'''Carrying mix''': Celeste. | *'''Carrying mix''': Celeste and music box. | ||
*'''Weather version''': See '''[[#Rain|Rain]]'''. | *'''Weather version''': See '''[[#Rain|Rain]]'''. | ||
*'''Afternoon version''': Same as main version, but piccolos, a full use of banjo, and pizzicato basses are added. | *'''Afternoon version''': Same as main version, but piccolos, a full use of banjo, and pizzicato basses are added. | ||
| Line 705: | Line 724: | ||
{{infobox track | {{infobox track | ||
|name=Distant Tundra | |name=Distant Tundra | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=SvMW6YT0NGo&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=3 | ||
|linkp=https://www.youtube.com/watch?v=0hSVCDK2wtE&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=4 | |||
| | |||
|internal=STRM_BGM_mapC_Morning.bfstm STRM_BGM_mapC_Day.bfstm mapC_Evening.o.32.dspadpcm.bfstm STRM_BGM_Snow_Morning.bfstm STRM_BGM_Snow_Day.bfstm Snow_Evening.o.32.dspadpcm.bfstm | |internal=STRM_BGM_mapC_Morning.bfstm STRM_BGM_mapC_Day.bfstm mapC_Evening.o.32.dspadpcm.bfstm STRM_BGM_Snow_Morning.bfstm STRM_BGM_Snow_Day.bfstm Snow_Evening.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
}} | }} | ||
| Line 717: | Line 735: | ||
'''Instruments''' | '''Instruments''' | ||
*'''Main version''': | *'''Main version''': Celeste, pad synthesizers, and organ-like synthesizers. | ||
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection. | *'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection. | ||
*'''Task mix''': DX electric piano, and pizzicato cellos and basses. | *'''Task mix''': DX electric piano, and pizzicato cellos and basses. | ||
*'''Carrying mix''': | *'''Carrying mix''': Calliope, calliope-like synthesizer, and sleigh bells. | ||
*'''Weather version''': | *'''Weather version''': Gamelan, pad synthesizers, and organ-like synthesizers. | ||
*'''Afternoon version''': Same as main version. | *'''Afternoon version''': Same as main version. | ||
*'''Sunset version''': Glockenspiel (long attack), | *'''Sunset version''': Glockenspiel (long attack), thin handbell-like synthesizer, and pad synthesizers. | ||
It always snows on the first day [[Alph]] and [[Brittany]] arrive in the Distant Tundra. | It always snows on the first day [[Alph]] and [[Brittany]] arrive in the Distant Tundra. In the weather version, the calliope-like synthesizer is replaced with an accordion. | ||
{{clear}} | {{clear}} | ||
| Line 732: | Line 750: | ||
{{infobox track | {{infobox track | ||
|name=Tropical Wilds | |name=Tropical Wilds | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=pvbxG8G8IxA&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=5 | ||
|internal=STRM_BGM_mapA_Morning.bfstm STRM_BGM_mapA_Day.bfstm mapA_Evening.o.32.dspadpcm.bfstm | |internal=STRM_BGM_mapA_Morning.bfstm STRM_BGM_mapA_Day.bfstm mapA_Evening.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
}} | }} | ||
| Line 742: | Line 758: | ||
'''Instruments''' | '''Instruments''' | ||
*'''Main version''': {{w| | *'''Main version''': Kalimba, cowbell, {{w|overtone flute}}, cicada-like synthesizers, fifes, [https://www.youtube.com/watch?v=OftdeE1pTeA udu], mallet-like synthesizer, bass {{w|marimbaphone}}, steel drum, accordion, and shaker. | ||
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection. | *'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection. | ||
*'''Task mix''': | *'''Task mix''': Conga, triangle, tube drums, pad and bass synthesizers, contrabass flute, and guitar-like synthesizer. | ||
*'''Carrying mix''': | *'''Carrying mix''': Gong and celeste synthesizers. | ||
*'''Weather version''': See '''[[#Rain|Rain]]'''. | *'''Weather version''': See '''[[#Rain|Rain]]'''. | ||
*'''Afternoon version''': Same as main version, but the intro contains bass accordion. | *'''Afternoon version''': Same as main version, but the intro contains bass accordion. | ||
*'''Sunset version''': Fifes, modified celeste, marimbaphone, | *'''Sunset version''': Fifes, modified celeste, marimbaphone, udu, cowbell, and accordion. | ||
{{clear}} | {{clear}} | ||
| Line 755: | Line 771: | ||
{{infobox track | {{infobox track | ||
|name=Twilight River | |name=Twilight River | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=khwVnJFOd1c&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=6 | ||
|internal=STRM_BGM_mapD_Morning.bfstm STRM_BGM_mapD_Day.bfstm mapD_Evening.o.32.dspadpcm.bfstm | |internal=STRM_BGM_mapD_Morning.bfstm STRM_BGM_mapD_Day.bfstm mapD_Evening.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
}} | }} | ||
| Line 765: | Line 779: | ||
'''Instruments''' | '''Instruments''' | ||
*'''Main version''': Bassoons, handbells, shaker, acoustic guitar, | *'''Main version''': Bassoons, handbells, shaker, acoustic guitar, accordions, pad synthesizer, and violin (also playing {{w|double stop}}) and viola. | ||
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection. | *'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection. | ||
*'''Task mix''': Congas, talking drum, synth bass, and | *'''Task mix''': Congas, talking drum, synth bass, and vocal synthesizer. | ||
*'''Carrying mix''': | *'''Carrying mix''': Glockenspiel-like synthesizer, and log drum. | ||
*'''Weather version''': See '''[[#Rain|Rain]]'''. | *'''Weather version''': See '''[[#Rain|Rain]]'''. | ||
*'''Afternoon version''': Same as main version, but the intro contains a glockenspiel | *'''Afternoon version''': Same as main version, but the intro contains a glockenspiel. | ||
*'''Sunset version''': Soprano bassoons, celeste, | *'''Sunset version''': Soprano bassoons, celeste, glockenspiel, accordions, and violin. | ||
{{clear}} | {{clear}} | ||
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{{infobox track | {{infobox track | ||
|name=Formidable Oak | |name=Formidable Oak | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=EwQTErlSx8I&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=9 | ||
|linkp=https://www.youtube.com/watch?v=F5464xG_d0w&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=11 | |||
|linkp=https://www.youtube.com/watch?v= | |||
|internal=mapE_1stday.o.32.dspadpcm.bfstm mapE_1stday_evening.o.32.dspadpcm.bfstm mapE.o.32.dspadpcm.bfstm mapE_Evening.o.32.dspadpcm.bfstm | |internal=mapE_1stday.o.32.dspadpcm.bfstm mapE_1stday_evening.o.32.dspadpcm.bfstm mapE.o.32.dspadpcm.bfstm mapE_Evening.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
}} | }} | ||
| Line 792: | Line 805: | ||
*'''Sunset version''': Detuned chorused glockenspiel, bamboo marimba, celeste/wind chime sample, and distorted modified vocal synthesizer. | *'''Sunset version''': Detuned chorused glockenspiel, bamboo marimba, celeste/wind chime sample, and distorted modified vocal synthesizer. | ||
There is also a [ | There is also a [https://www.youtube.com/watch?v=7utH56a7fAg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=7&t=1m08s specific theme] for the sunset during rain. It is the same melody from the normal weather version, but shared between the detuned glockenspiel and celeste/wind chime sample, making it the thinnest theme in the game. | ||
{{clear}} | {{clear}} | ||
| Line 799: | Line 812: | ||
{{infobox track | {{infobox track | ||
|name=Cave | |name=Cave | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=5Qx9R9WzNEI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=8 | ||
|internal=STRM_BGM_Cave.bfstm | |internal=STRM_BGM_Cave.bfstm | ||
}} | }} | ||
| Line 816: | Line 829: | ||
{{infobox track | {{infobox track | ||
|name= Rain | |name= Rain | ||
|link | |link=https://www.youtube.com/watch?v=7utH56a7fAg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=7 | ||
|internal=STRM_BGM_Rain_Morning.bfstm STRM_BGM_Rain_Day.bfstm Rain_evening.o.32.dspadpcm.bfstm | |internal=STRM_BGM_Rain_Morning.bfstm STRM_BGM_Rain_Day.bfstm Rain_evening.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
}} | }} | ||
| Line 842: | Line 854: | ||
{{infobox track | {{infobox track | ||
|name=Boss battle intro | |name=Boss battle intro | ||
|link= | |link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m00s | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 850: | Line 863: | ||
{{infobox track | {{infobox track | ||
|name=Boss battle | |name=Boss battle | ||
|link= | |link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m24s | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 874: | Line 888: | ||
{{infobox track | {{infobox track | ||
|name=Boss attack | |name=Boss attack | ||
|link= | |link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m10s | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 882: | Line 897: | ||
{{infobox track | {{infobox track | ||
|name=Pikmin vulnerable | |name=Pikmin vulnerable | ||
|link= | |link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m58s | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
Heard if Pikmin were captured during a boss attack, or during an especially dangerous attack. The extremely low registers return here, along with a heavy bass drum hit and dramatic rips in the horns. The high woodwinds and strings play a piercing punctual texture, almost as if expressively crying for help. | Heard if Pikmin were captured during a boss attack, or during an especially dangerous attack. The extremely low registers return here, along with a heavy bass drum hit and dramatic rips in the horns. The high woodwinds and strings play a piercing punctual texture, almost as if expressively crying for help. This song also plays in ''[[Occupational Hazards]]''. | ||
{{clear}} | {{clear}} | ||
{{infobox track | {{infobox track | ||
|name=Boss vulnerable | |name=Boss vulnerable | ||
|link= | |link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m23s | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 908: | Line 925: | ||
{{infobox track | {{infobox track | ||
|name=Vehemoth Phosbat (all lights off) | |name=Vehemoth Phosbat (all lights off) | ||
|link= | |link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=0m00s | ||
|internal = STRM_BGM_Ohbake_Lv0.bfstm | |internal = STRM_BGM_Ohbake_Lv0.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
Heard at the beginning of the battle, when no [[electrode]]s are activated. Played rather like a horror film or fantasy soundtrack, this eerie detuned theme makes the invisible boss all the more ominous. Although a beat is added, the Vehemoth Phosbat drawing near adds a spooky texture that alludes to the noises heard when [[#Charlie's cliffhanger|Charlie was first captured]]. This added texture can be heard [ | Heard at the beginning of the battle, when no [[electrode]]s are activated. Played rather like a horror film or fantasy soundtrack, this eerie detuned theme makes the invisible boss all the more ominous. Although a beat is added, the Vehemoth Phosbat drawing near adds a spooky texture that alludes to the noises heard when [[#Charlie's cliffhanger|Charlie was first captured]]. This added texture can be heard [https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=0m43s here]. | ||
{{clear}} | {{clear}} | ||
{{infobox track | {{infobox track | ||
|name=Vehemoth Phosbat (small lights on) | |name=Vehemoth Phosbat (small lights on) | ||
|link= | |link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=2m52s | ||
|internal = STRM_BGM_Ohbake_Lv3.bfstm | |internal = STRM_BGM_Ohbake_Lv3.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
Heard after any of the smaller [[electrode]]s are activated. Orchestral textures are added, but not in the normal boss manner. Many of the sounds present here are still detuned, or have somewhat alien qualities, to make the Vehemoth Phosbat appear more otherworldly and to increase the horror-like tension. Once again, when the Vehemoth Phosbat nears, it superimposes its odd texture over this, increasing the overall discordance of the theme. This added texture can be heard [ | Heard after any of the smaller [[electrode]]s are activated. Orchestral textures are added, but not in the normal boss manner. Many of the sounds present here are still detuned, or have somewhat alien qualities, to make the Vehemoth Phosbat appear more otherworldly and to increase the horror-like tension. Once again, when the Vehemoth Phosbat nears, it superimposes its odd texture over this, increasing the overall discordance of the theme. This added texture can be heard [https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=3m35s here]. | ||
{{clear}} | {{clear}} | ||
{{infobox track | {{infobox track | ||
|name=Large bulb activated | |name=Large bulb activated | ||
|link= | |link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=11m31s | ||
|internal = demo_BossCLightOn.o.32.dspadpcm.bfstm | |internal = demo_BossCLightOn.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 935: | Line 955: | ||
{{infobox track | {{infobox track | ||
|name=Vehemoth Phosbat (large light on) | |name=Vehemoth Phosbat (large light on) | ||
|link= | |link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=11m36s | ||
|internal = BossC_LastChance.o.32.dspadpcm.bfstm | |internal = BossC_LastChance.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 944: | Line 965: | ||
{{infobox track | {{infobox track | ||
|name=Boss defeated | |name=Boss defeated | ||
|link= | |link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=13m27s | ||
|internal=demo_bossCDie.o.32.dspadpcm.bfstm | |internal=demo_bossCDie.o.32.dspadpcm.bfstm | ||
|composer =Asuka Hayazaki | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 958: | Line 980: | ||
{{infobox track | {{infobox track | ||
|name=Mysterious Life-Form | |name=Mysterious Life-Form | ||
|link= | |link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10 | ||
|internal = STRM_BGM_Metaboss01_Escape.bfstm | |internal =STRM_BGM_Metaboss01_Escape.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 967: | Line 990: | ||
{{infobox track | {{infobox track | ||
|name=Mysterious Life-Form (near Olimar) | |name=Mysterious Life-Form (near Olimar) | ||
|link= | |link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10&t=1m13s | ||
|internal = STRM_BGM_Metaboss01_Escape.bfstm | |internal =STRM_BGM_Metaboss01_Escape.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 976: | Line 1,000: | ||
{{infobox track | {{infobox track | ||
|name=Mysterious Life-Form (Olimar captured) | |name=Mysterious Life-Form (Olimar captured) | ||
|link= | |link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10&t=2m16s | ||
|internal = Metaboss01_Catch.aa.32.dspadpcm.bfstm | |internal =Metaboss01_Catch.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 985: | Line 1,010: | ||
{{infobox track | {{infobox track | ||
|name=Escaped Formidable Oak | |name=Escaped Formidable Oak | ||
|link= | |link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m00s | ||
|internal = demo_e02_BossETransform.aa.32.dspadpcm.bfstm | |internal =demo_e02_BossETransform.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 994: | Line 1,020: | ||
{{infobox track | {{infobox track | ||
|name=Plasm Wraith battle | |name=Plasm Wraith battle | ||
|link= | |link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m23s | ||
|internal = Metaboss02.aa.32.dspadpcm.bfstm demo_Mission_BossETransform.aa.32.dspadpcm.bfstm | |internal =Metaboss02.aa.32.dspadpcm.bfstm demo_Mission_BossETransform.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,005: | Line 1,032: | ||
{{infobox track | {{infobox track | ||
|name=Plasm Wraith defeated | |name=Plasm Wraith defeated | ||
|link= | |link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=3m54s | ||
|internal = demo_Metaboss_die.aa.32.dspadpcm.bfstm | |internal =demo_Metaboss_die.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,016: | Line 1,044: | ||
{{infobox track | {{infobox track | ||
|name=Mid-boss battle | |name=Mid-boss battle | ||
|link= | |link=https://www.youtube.com/watch?v=nGA680z2hJ8&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=12 | ||
}} | }} | ||
Mid-bosses in ''Pikmin 3'' are smaller bosses in the game that are larger and stronger than most enemies but that do not contain an important plot element. These are the [[Shaggy Long Legs]], [[Burrowing Snagret]], and [[Bug-Eyed Crawmad]] (the [[Baldy Long Legs]] does not trigger mid-boss music because it does not appear in story mode). They get their own theme that plays whenever the active leader is near, similarly to how boss themes worked in the previous games. The theme itself is a new rendition of the [[Music in Pikmin 2#Common boss battle|previous game's boss battle theme]]. The new theme is less brass-centered, with the melody in strings and a few muted horns instead. The percussion and synth bass are also more articulate. | Mid-bosses in ''Pikmin 3'' are smaller bosses in the game that are larger and stronger than most enemies but that do not contain an important plot element. These are the [[Shaggy Long Legs]], [[Burrowing Snagret]], and [[Bug-Eyed Crawmad]] (the [[Baldy Long Legs]] does not trigger mid-boss music because it does not appear in story mode). They get their own theme that plays whenever the active leader is near, similarly to how boss themes worked in the previous games. The theme itself is a new rendition of the [[Music in Pikmin 2#Common boss battle|previous game's boss battle theme]]. The new theme is less brass-centered, with the melody in strings and a few muted horns instead. The percussion and synth bass are also more articulate. | ||
| Line 1,028: | Line 1,056: | ||
{{infobox track | {{infobox track | ||
|name=Mission Mode (stages 1-10) | |name=Mission Mode (stages 1-10) | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=pEgXY6zq8II&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=16 | ||
|internal = STRM_BGM_Mission_Poko.bfstm STRM_BGM_Mission_Poko_HurryUp.bfstm | |internal =STRM_BGM_Mission_Poko.bfstm STRM_BGM_Mission_Poko_HurryUp.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,038: | Line 1,066: | ||
{{infobox track | {{infobox track | ||
|name=Fortress of Festivity | |name=Fortress of Festivity | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=gC8kuiR_LWQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=17 | ||
|internal = STRM_BGM_DLC2.bfstm STRM_BGM_DLC_HurryUp.bfstm | |internal =STRM_BGM_DLC2.bfstm STRM_BGM_DLC_HurryUp.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,048: | Line 1,076: | ||
{{infobox track | {{infobox track | ||
|name=Mission Mode (stages 12-15) | |name=Mission Mode (stages 12-15) | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=HyIzmoQczgo&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=18 | ||
|internal = STRM_BGM_DLC.bfstm STRM_BGM_DLC_HurryUp.bfstm | |internal =STRM_BGM_DLC.bfstm STRM_BGM_DLC_HurryUp.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,063: | Line 1,091: | ||
}} | }} | ||
Heard when a Mission Mode stage is completed, with a platinum medal. A grand flourish of brass, woodwinds, and percussion brings about this victorious rendition of the ''Pikmin 2'' motif. It works especially well with under one minute left in stages 1-10, or with over one minute left in stages 12-15, since those are both in the same key of F#. | Heard when a Mission Mode stage is completed, with a platinum medal. A grand flourish of brass, woodwinds, and percussion brings about this victorious rendition of the ''Pikmin 2'' motif. It works especially well with under one minute left in stages 1-10, or with over one minute left in stages 12-15, since those are both in the same key of F#. | ||
{{clear}} | |||
{{infobox track | |||
|name=After hours | |||
|link=https://youtube.com/watch?v=z_sp31IQLnw&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=8 | |||
|internal = | |||
|composer =Soshi Abe | |||
|header = y | |||
}} | |||
This theme plays when the player is in [[after hours]] mode in any Mission Mode stage. Reflecting how after hours takes place after sunset, when the time for the stage has already ended, most of this theme is a simple and sparse version of the main Mission Mode theme for stages 1-10, featuring parts of the same melody on the same instrument, but with a very sparse accompaniment on mallet percussion and plucked strings. After a minute has passed, the theme changes significantly to be more of a waltz, featuring longer notes and more diverse chords. The theme eventually loops back to the start, and has no dynamic elements. This theme is exclusive to ''Pikmin 3 Deluxe''. | |||
{{clear}} | {{clear}} | ||
==Side Stories== | ==Side Stories== | ||
As with the other modes, the [[Side Stories]] of ''Pikmin 3 Deluxe'' feature unique music. The music is notably nonchalant, with a focus on complimenting and characterizing the duties of Olimar and Louie, rather than the design or scenery of the levels the player will be exploring. The songs are shared across multiple days, and will play for the entire duration of the level. Like in Mission Mode, these songs also feature additional mixes that will be added when the player is performing certain actions, and the music will transpose up one half-step and speed up when there is one minute remaining. | |||
As with the other modes, the [[Side Stories]] of ''Pikmin 3 Deluxe'' | |||
Unlike the other music in the game, these songs were recorded live and produced in part by the Tokyo-based production company GRANDFUNK INC.{{cite web|https://www.grandfunk.net/works/2228/|PIKMIN 3 DELUXE|GRANDFUNK INC.|retrieved={{date|30|January|2021}}}} Since the Side Stories were introduced in ''Pikmin 3 Deluxe'', all themes in it are exclusive to that release. | |||
{{infobox track | {{infobox track | ||
|name=Olimar's Assignment (days 1-2) | |name=Olimar's Assignment (days 1-2) | ||
|link=https://www.youtube.com/watch?v=GvAOAEyMNVI&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=1 | |link=https://www.youtube.com/watch?v=GvAOAEyMNVI&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=1 | ||
|internal = STRM_BGM_sidestoryA_1 | |internal =STRM_BGM_sidestoryA_1 | ||
|composer =Babi | |||
|header = y | |header = y | ||
}} | }} | ||
Heard during [[Flower Garden]] and [[Inside Forest]]. | Heard during [[Flower Garden]] and [[Inside Forest]]. Like all Side Stories gameplay themes, this theme is very varied, moving between many short sections with few common themes. It features a melody on flute or accordion, and backing parts are sparse and high-pitched. The rhythm is generally simple and on-the-beat, though the working mix features triplets on woodblocks, which contrasts greatly with the rest of the music. The resulting atmosphere is light and playful, and this sets the scene for Olimar's return to PNF-404. | ||
{{clear}} | {{clear}} | ||
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|name=Olimar's Assignment (days 3-4) | |name=Olimar's Assignment (days 3-4) | ||
|link=https://www.youtube.com/watch?v=4ZQYB-RRv1s&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=2 | |link=https://www.youtube.com/watch?v=4ZQYB-RRv1s&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=2 | ||
|internal = STRM_BGM_sidestoryA_2 | |internal =STRM_BGM_sidestoryA_2 | ||
|composer =Soshi Abe | |||
|header = y | |header = y | ||
}} | }} | ||
Heard during [[River]] and [[Tundra]]. | Heard during [[River]] and [[Tundra]]. This theme centers around a guitar pattern that moves between 2 chords at a time in a 6/8 time signature. A motif on accordion and violin repeats throughout the song but varies significantly based on the underlying chords. A section of the song slows down and speeds up a few times. The effect of this is to create a much more laid-back and relaxed theme, which fits with the simple mission of Olimar's Assignment. | ||
{{clear}} | {{clear}} | ||
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|name=Olimar's Comeback (days 1-3) | |name=Olimar's Comeback (days 1-3) | ||
|link=https://www.youtube.com/watch?v=BLOyOcbhrRc&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=3 | |link=https://www.youtube.com/watch?v=BLOyOcbhrRc&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=3 | ||
|internal = STRM_BGM_sidestoryB_1 | |internal =STRM_BGM_sidestoryB_1 | ||
|composer =Soshi Abe | |||
|header = y | |header = y | ||
}} | }} | ||
Heard during [[Pikmin Reunion]], [[Creature Hunting]], and [[Land, Sea, and Sky]]. | Heard during [[Pikmin Reunion]], [[Creature Hunting]], and [[Land, Sea, and Sky]]. This theme has several contrasting sections, but a constant rhythm of short notes plays throughout most of the song. One section prominently features a repeating melody on xylophone, while another features a guitar pattern with the ''Pikmin'' motif on top, while another features long notes with crescendos and decrescendos played on strings and accordion. The motif in question specifically seems to reference the melody that plays at the end of ''[[Music_in_Pikmin#Live_as_a_Pikmin|Live as a Pikmin]]'' from the first ''Pikmin'' game. The treasure mix contains various synthesizers, including the cymbalesque synthesizer from [[The Distant Spring]]'s theme. | ||
{{clear}} | {{clear}} | ||
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|name=Olimar's Comeback (days 4-6) | |name=Olimar's Comeback (days 4-6) | ||
|link=https://www.youtube.com/watch?v=dc-IKp5AUw0&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=4 | |link=https://www.youtube.com/watch?v=dc-IKp5AUw0&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=4 | ||
|internal = STRM_BGM_sidestoryB_2 | |internal =STRM_BGM_sidestoryB_2 | ||
|composer =Babi | |||
|header = y | |header = y | ||
}} | }} | ||
Heard during [[First Part Found]], [[Team Monster Hunt]], and [[Channel Gone Dry]]. A hint of [[Music in Pikmin#The Final Trial|The Final Trial's theme]] is in this song. | Heard during [[First Part Found]], [[Team Monster Hunt]], and [[Channel Gone Dry]]. This theme features frequent changes of instrumentation, and lots of movement up and down scales. It shows the varied nature of gameplay in the Side Stories, as all 3 levels it plays in have very different objectives. A hint of [[Music in Pikmin#The Final Trial|The Final Trial's theme]] is in this song. | ||
{{clear}} | {{clear}} | ||
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|name=Olimar's Comeback (days 7-8) | |name=Olimar's Comeback (days 7-8) | ||
|link=https://www.youtube.com/watch?v=54K2_KPyNac&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=5 | |link=https://www.youtube.com/watch?v=54K2_KPyNac&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=5 | ||
|internal = STRM_BGM_sidestoryB_3 | |internal =STRM_BGM_sidestoryB_3 | ||
|composer =Babi | |||
|header = y | |header = y | ||
}} | }} | ||
Heard during [[Looking for Louie]] and [[Big Fruit Carnival]]. | Heard during [[Looking for Louie]] and [[Big Fruit Carnival]]. This theme features far stranger harmony than the previous Side Stories themes, mostly in the form of a background pattern on saxophones that often features unexpected and dissonant chords, yet it also includes things like a simple C major scale. It also includes the ''Pikmin'' motif, and legato chromatic melodies on low woodwind instruments. The great harmonic variety in this theme means that the player can rarely expect what will come next, similar to the Side Story missions themselves. | ||
{{clear}} | {{clear}} | ||
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|name=Olimar's Comeback (days 9-10) | |name=Olimar's Comeback (days 9-10) | ||
|link=https://www.youtube.com/watch?v=xcKrPPsEaY4 | |link=https://www.youtube.com/watch?v=xcKrPPsEaY4 | ||
|internal = STRM_BGM_sidestoryB_4 | |internal =STRM_BGM_sidestoryB_4 | ||
|composer =Soshi Abe | |||
|header = y | |header = y | ||
}} | }} | ||
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|name=Golden arachnorb battle | |name=Golden arachnorb battle | ||
|link=https://www.youtube.com/watch?v=dwn4Gsid8ME | |link=https://www.youtube.com/watch?v=dwn4Gsid8ME | ||
|internal = | |internal =GROUP_STATIC_00000F2D | ||
|composer =Soshi Abe | |||
|header = y | |header = y | ||
}} | }} | ||
Heard during the final boss fight of Olimar's Comeback, during [[The Ship Restored]]. | Heard during the final boss fight of Olimar's Comeback, during [[The Ship Restored]]. This theme is very chaotic, with constant percussive notes creating an exciting feel, fitting for a final battle. Elements of the song are a direct homage to the first ''Pikmin'' game, having segments of the main theme and instruments from [[Music in Pikmin#The Forest Navel|The Forest Navel's theme]]. The latter is likely a reference to the [[Beady Long Legs]], a similar [[arachnorb family|arachnorb]] that is found in that area. Each time the golden Shaggy Long Legs' hair is torn off, one of several cues will play, not unlike ''Pikmin 3'''s mini-boss theme. Additionally, a different cue will play when each arachnorb appears and is defeated. The musical cue used for the first arachnorb when it appears bears a striking resemblance to the musical cue played after defeating [[Titan Dweevil]] in ''Pikmin 2''. Here is a list of all cues and themes that play during this track: | ||
* First arachnorb appears | * First arachnorb appears | ||
* Main theme | * Main theme | ||
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{{infobox track | {{infobox track | ||
|name=Battle start | |name=Battle start | ||
|link= | |link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=0m00s | ||
|internal = GROUP_MAPE_000001E6 | |internal =GROUP_MAPE_000001E6 | ||
|header = y | |header = y | ||
}} | }} | ||
Heard as a battle is beginning, when the bingo cards appear. The small cue is entirely synthesized and very simple; the tension it builds for the bingo cards is there but not extreme by any regard. The appearance of the cards is accented by a synthetic horn section fall. | Heard as a battle is beginning, when the bingo cards appear. The small cue is entirely synthesized and very simple; the tension it builds for the bingo cards is there but not extreme by any regard. The appearance of the cards is accented by a synthetic horn section fall. A {{w|Lion's roar (instrument)|lion's roar}} also plays in the back, which is the same background instrument used in the title screen music of ''Pikmin''. | ||
{{clear}} | {{clear}} | ||
| Line 1,163: | Line 1,210: | ||
{{infobox track | {{infobox track | ||
|name=Bingo Battle 1 (nature) | |name=Bingo Battle 1 (nature) | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19 | ||
|internal = STRM_BGM_Vs.bfstm | |internal =STRM_BGM_Vs.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,173: | Line 1,220: | ||
{{infobox track | {{infobox track | ||
|name=Bingo Battle 2 (metal) | |name=Bingo Battle 2 (metal) | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=vjXjdlQcEyA&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=20 | ||
|internal = STRM_BGM_VsBlues.bfstm | |internal =STRM_BGM_VsBlues.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,183: | Line 1,230: | ||
{{infobox track | {{infobox track | ||
|name=Bingo Battle 3 (toys) | |name=Bingo Battle 3 (toys) | ||
|link=https://www.youtube.com/watch?v= | |link=https://www.youtube.com/watch?v=K1l3doKunW8&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=21 | ||
|internal = STRM_BGM_VsToy.bfstm | |internal =STRM_BGM_VsToy.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
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{{infobox track | {{infobox track | ||
|name=One Away! | |name=One Away! | ||
|link= | |link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=3m59s | ||
|internal = STRM_BGM_Vs_Reach.bfstm | |internal =STRM_BGM_Vs_Reach.bfstm | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,203: | Line 1,250: | ||
{{infobox track | {{infobox track | ||
|name=Give it a Spin! | |name=Give it a Spin! | ||
|link= | |link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=2m58s | ||
|header = y | |header = y | ||
}} | }} | ||
| Line 1,212: | Line 1,259: | ||
{{infobox track | {{infobox track | ||
|name=Victory | |name=Victory | ||
|link= | |link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=4m47 | ||
|internal = ff_WinLoop.aa.32.dspadpcm.bfstm | |internal =ff_WinLoop.aa.32.dspadpcm.bfstm | ||
|composer =Atsuko Asahi | |||
|header = y | |header = y | ||
}} | }} | ||
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*A [[Glitches in Pikmin 3#Warped sunset music|small glitch]] occurs when a day ends while the player looks at the [[radar]] (with the "play" button active, meaning time still passes). The music is put through a hi-pass filter and compressor whenever the map screen is active, making the music sound like it comes from small radio speakers. This filter was not programmed to turn off without player input, so it will remain over the "end of day" theme if it is active at the day's end (although the "today's results" theme will be normal). | *A [[Glitches in Pikmin 3#Warped sunset music|small glitch]] occurs when a day ends while the player looks at the [[radar]] (with the "play" button active, meaning time still passes). The music is put through a hi-pass filter and compressor whenever the map screen is active, making the music sound like it comes from small radio speakers. This filter was not programmed to turn off without player input, so it will remain over the "end of day" theme if it is active at the day's end (although the "today's results" theme will be normal). | ||
*In the "sunset" variant of ''Pikmin 3''{{'s}} title screen, if the player waits for the music to end, they will hear different sounds from the "daytime" variant. Along with birds, cicadas can be heard chirping, and even a sheep can faintly bleat. It is unknown whether this is supposed to be a real sheep, or instead a sheep-like enemy, because both are never seen anywhere else in the series. | *In the "sunset" variant of ''Pikmin 3''{{'s}} title screen, if the player waits for the music to end, they will hear different sounds from the "daytime" variant. Along with birds, cicadas can be heard chirping, and even a sheep can faintly bleat. It is unknown whether this is supposed to be a real sheep, or instead a sheep-like enemy, because both are never seen anywhere else in the series. | ||
==References== | ==References== | ||
{{refs}} | {{refs}} | ||
{{music}} | |||