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Music in Pikmin 3: Difference between revisions

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Music in Pikmin 3 (edit)

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{{DISPLAYTITLE: Music in ''Pikmin 3''}}{{game icons|p3=y}}
{{page title| Music in ''Pikmin 3''}}
{{game icons|p3=y}}
The '''music''' of {{p3}} accompanies every mode of the game, from themes and cues during gameplay to scores of cutscenes and menus, in order to enhance the various moods of the game and to direct gameplay. Generally, the textural style of the music reflects either the technology of [[Koppai]], the scenic environment of [[PNF-404]], or the progression of the story and the quirky nature of [[Pikmin family|Pikmin]]. In the spirit of compositions for the [[Pikmin series|''Pikmin'' series]], this installment features dynamic music that adapts to what occurs in the game, using parameters such as what tasks Pikmin are carrying out, the time of [[day]], and the weather in a particular [[area]]. Between gameplay, pre-rendered cutscenes are scored by a Hollywood-style orchestra, and in-game cutscenes are textured by varied loops and cues of music. Compared with the music of the previous games, this game's music is much more atmospheric and ethereal; melody is only germane in establishing {{w|leitmotif}}s in the game. This game's music also contains many more original synthesized instruments, to heighten the theme of futurism and to give the soundtrack personality.
The '''music''' of {{p3}} accompanies every mode of the game, from themes and cues during gameplay to scores of cutscenes and menus, in order to enhance the various moods of the game and to direct gameplay. Generally, the textural style of the music reflects either the technology of [[Koppai]], the scenic environment of [[PNF-404]], or the progression of the story and the quirky nature of [[Pikmin family|Pikmin]]. In the spirit of compositions for the [[Pikmin series|''Pikmin'' series]], this installment features dynamic music that adapts to what occurs in the game, using parameters such as what tasks Pikmin are carrying out, the time of [[day]], and the weather in a particular [[area]]. Between gameplay, pre-rendered cutscenes are scored by a Hollywood-style orchestra, and in-game cutscenes are textured by varied loops and cues of music. Compared with the music of the previous games, this game's music is much more atmospheric and ethereal; melody is only germane in establishing {{w|leitmotif}}s in the game. This game's music also contains many more original synthesized instruments, to heighten the theme of futurism and to give the soundtrack personality.


The soundtrack to ''Pikmin 3'' was composed by Asuka Hayazaki, Atsuko Asahi, and Hajime Wakai, under no official name. Like the previous soundtracks in the series, all the sounds are synthesized or samples attempting to mimic real instruments. This installment of the series features the most advanced sound technology yet, producing very realistic representations of real instruments. However, unlike [[Music in Pikmin 2|the music in the previous game]], this game's music is all pre-rendered, not played note-by-note in real time; this allows for new instruments, new textures, and new experimentation with sound, at the cost of a less flexible soundtrack.
The soundtrack to ''Pikmin 3'' was composed by Asuka Hayazaki, Atsuko Asahi, and Hajime Wakai, under no official name. Like the previous soundtracks in the series, all the sounds are synthesized or samples attempting to mimic real instruments. This installment of the series features the most advanced sound technology yet, producing very realistic representations of real instruments. However, unlike [[Music in Pikmin 2|the music in the previous game]], this game's music is all pre-rendered, not played note-by-note in real time; this allows for new instruments, new textures, and new experimentation with sound, at the cost of a less flexible soundtrack.


It should be noted that all titles for ''Pikmin 3'' music in this article and elsewhere are conjectural, as the tracks have no known official names.
The initials of the composer that worked on a particular song are usually present in the internal name, such as "w" for Hajime Wakai, "aa" for Atsuko Asahi, or "as" for Soshi Abe. It also should be noted that all titles for ''Pikmin 3'' music in this article and elsewhere are conjectural, as the tracks have no known official names.


==Leitmotifs==
==Leitmotifs==
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}}
}}
{{columns|0|
{{columns|0|
[[File:Pikmin 2 Theme.png|thumb|300px|center|[[File:Pikmin2Motif.ogg]] "The {{p}} motif", denoting Pikmin themselves.]]
[[File:Pikmin 2 Theme.png|thumb|300px|center|[[File:Pikmin2Motif.ogg]] "The {{p1}} motif", denoting Pikmin themselves.]]
|
|
[[File:Success and Adventure Motif.png|thumb|300px|center|[[File:SuccessMotif.ogg]] The "success motif", denoting a success or setting a victorious mood.]]
[[File:Success and Adventure Motif.png|thumb|300px|center|[[File:SuccessMotif.ogg]] The "success motif", denoting a success or setting a victorious mood.]]
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{{infobox track
{{infobox track
|name=Title screen
|name=Title screen
|link=https://www.youtube.com/watch?v=CXdNLpOrwFQ&index=1&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk
|link=https://www.youtube.com/watch?v=IrIPHIXe6aU&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=1
|internal=STRM_BGM_Title_48k.bfstm
|internal=STRM_BGM_Title_48k.bfstm
|header = y
|header = y
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{{infobox track
{{infobox track
|name=Day selection
|name=Day selection
|link=https://www.youtube.com/watch?v=zodgKRmnikY&index=3&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk
|link=https://www.youtube.com/watch?v=UFwNK3oBYJQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=4
|internal=FileSelect.o.48.dspadpcm.bfstm
|internal=FileSelect.o.48.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Today's report
|name=Today's report
|link=https://www.youtube.com/watch?v=s-9H2CXpfUE&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk&index=11
|link=https://www.youtube.com/watch?v=MTQuMyFN5P4&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=30
|internal=Result.o.48.dspadpcm.bfstm
|internal=Result.o.48.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=S.S. Drake
|name=S.S. Drake
|link=https://www.youtube.com/watch?v=DPNb0xEXQPY&index=4&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk
|link=https://www.youtube.com/watch?v=1jCcrrZC_GE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=16
|internal = STRM_BGM_Mapselect_48k.bfstm
|internal = STRM_BGM_Mapselect_48k.bfstm
|header = y
|header = y
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{{infobox track
{{infobox track
|name=Mission Mode menu
|name=Mission Mode menu
|link=https://www.youtube.com/watch?v=UKjP2xNLImg&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk&index=30
|link=https://www.youtube.com/watch?v=zitAr7nZbi4&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=71
|internal=MissionSelect.o.48.dspadpcm.bfstm
|internal=MissionSelect.o.48.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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|name=Side Stories menu
|name=Side Stories menu
|link=https://youtu.be/KgCrTxs1t1k
|link=https://youtu.be/KgCrTxs1t1k
|internal=
|internal=SidestorySelect.as.48.dspadpcm
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Bingo Battle menu
|name=Bingo Battle menu
|link=https://www.youtube.com/watch?v=25BnJVcVuKI&index=32&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk
|link=https://www.youtube.com/watch?v=N5hWHnXBEcg&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=65
|internal=Vsselect.aa.48.dspadpcm.bfstm
|internal=Vsselect.aa.48.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Mission results
|name=Mission results
|link=https://youtu.be/lnFFlys_WYs
|link=https://www.youtube.com/watch?v=lnFFlys_WYs&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=75
|internal=m_result.o.32.dspadpcm
|internal=m_result.o.32.dspadpcm
|composer  =Hajime Wakai
|header = y
|header = y
}}
}}
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|name=Side Story results
|name=Side Story results
|link=https://youtu.be/HA78oKMGXuc
|link=https://youtu.be/HA78oKMGXuc
|internal=
|internal=SideStory_Result.as.48.dspadpcm
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Loading screen
|name=Loading screen
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/001-loading-screen.mp3
|link=https://www.youtube.com/watch?v=Mp2XqMK54QU&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=2
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Story Mode opening
|name=Story Mode opening
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/002-prologue.mp3
|link=https://www.youtube.com/watch?v=cDp5pnQOGRE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=3
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Captain Charlie's introduction
|name=Captain Charlie's introduction
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/004-captain-charlie-s-introduction.mp3
|link=https://www.youtube.com/watch?v=zQzoihSGESQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=5
|internal = demo_BossEDie2_CharlieTheme.aa.32.dspadpcm.bfstm demo_c00_CharlieTheme.aa.32.dspadpcm.bfstm
|internal =demo_BossEDie2_CharlieTheme.aa.32.dspadpcm.bfstm demo_c00_CharlieTheme.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Peculiar discovery
|name=Peculiar discovery
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/005-finding-a-new-type-of-pikmin....mp3
|link=https://www.youtube.com/watch?v=VYlvCnIC5ns&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=7
|internal = demo_a02.o.32.dspadpcm.bfstm
|internal = demo_a02.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Tutorial
|name=Tutorial
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/006-tutorial-time-.mp3
|link=https://www.youtube.com/watch?v=5V4VY3mgqQA&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=6
|internal = Minigame.aa.32.dspadpcm.bfstm Minigame_Introless.aa.32.dspadpcm.bfstm
|internal = Minigame.aa.32.dspadpcm.bfstm Minigame_Introless.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Charlie's cliffhanger
|name=Charlie's cliffhanger
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/007-captain-charlie-captured-.mp3
|link=https://www.youtube.com/watch?v=L2Nob9h1iqw&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=8
|internal = demo_c06.o.32.dspadpcm.bfstm  
|internal = demo_c06.o.32.dspadpcm.bfstm  
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Alph awakens
|name=Alph awakens
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/008-alph-awakens.mp3
|link=https://www.youtube.com/watch?v=yUScT71SbFE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=9
|internal = demo_a00.o.32.dspadpcm.bfstm
|internal = demo_a00.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Red Pikmin encounter
|name=Red Pikmin encounter
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/010-a-red-pikmin-.mp3
|link=https://www.youtube.com/watch?v=3sDAIic0Vzg&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=11
|internal = demo_a01.o.32.dspadpcm.bfstm
|internal = demo_a01.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Found important item
|name=Found important item
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/012-found-an-important-item-.mp3
|link=https://www.youtube.com/watch?v=rYU950P0alI&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=14
|internal = demo_glad.aa.32.dspadpcm.bfstm
|internal = demo_glad.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Heard when an important non-Pikmin item is discovered, such as the first piece of [[fruit]] or the [[KopPad]]. This is a new rendition of the [[Music in Pikmin 2#Success|success theme]], with more prominent flutes with vibrato playing the "success" motif, and a clearer sound in the harmony and bass, thanks to an acoustic guitar sound. Percussion is also added in this rendition, another element adding to the satisfying conclusiveness of this tonal motif.
Heard when an important non-Pikmin item is discovered, such as the first piece of [[fruit]] or the [[KopPad]]. This is a new rendition of the [[Music in Pikmin 2#Success|success theme]], with more prominent flutes with vibrato playing the "success" motif, and a clearer sound in the harmony and bass, thanks to an acoustic guitar sound. Percussion is also added in this rendition, another element adding to the satisfying conclusiveness of this tonal motif.


{{clear}}
The fanfare then continues into a looping section, which is a new rendition of the [[Music in Pikmin 2#Success|success theme]]'s loop, although thinner, and with a softer percussion mix and melodic instrument. All of the synthesizers used here are once again very adept at conveying a "space explorer" mood.
 
{{infobox track
|name=Found important item (loop)
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/013-explorer-s-notes.mp3
|internal = demo_glad.aa.32.dspadpcm.bfstm
|header = y
}}
Heard when a leader is explaining an important discovery. This loop is a new rendition of the [[Music in Pikmin 2#Success|success theme]]'s loop, although thinner, and with a softer percussion mix and melodic instrument. All of the synthesizers used here are once again very adept at conveying a "space explorer" mood.


{{clear}}
{{clear}}
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{{infobox track
{{infobox track
|name=New Pikmin type
|name=New Pikmin type
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/014-plucked-a-new-pikmin-.mp3
|link=https://www.youtube.com/watch?v=TZEPYXKxb_c&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=13
|internal = demo_get_pikmin.w.32.dspadpcm.bfstm
|internal = demo_get_pikmin.w.32.dspadpcm.bfstm
|composer  =Hajime Wakai
|header = y
|header = y
}}
}}
Heard when a new type of Pikmin is plucked or found. Again, a mixture of synthesizers and small natural instruments introduce the Pikmin, this time with a decoration of the ''Pikmin 2'' motif. One should notice how the melodic synthesizer detunes at the end of the cue, leading into the dialogue about new Pikmin.
Heard when a new type of Pikmin is plucked or found. Again, a mixture of synthesizers and small natural instruments introduce the Pikmin, this time with a decoration of the ''Pikmin 2'' motif. One should notice how the melodic synthesizer detunes at the end of the cue, leading into the dialogue about new Pikmin.


{{clear}}
The simple and playful loop that follows has an easy melody and not very many instruments; it allows the player and the leader to adjust to a new type of Pikmin. It also plays the characteristics of the Pikmin, such as if a Pikmin is demonstrating its ability during the cutscene. Before it loops, it slows down.
 
{{infobox track
|name=New Pikmin type (loop)
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/015-pikmin-attributes.mp3
|internal = demo_get_pikmin.w.32.dspadpcm.bfstm
|header = y
}}
Heard when a leader is talking about a new type of Pikmin. This simple playful loop has an easy melody and not very many instruments; it allows the player and the leader to adjust to a new type of Pikmin. It also plays the characteristics of the Pikmin, such as if a Pikmin is demonstrating its ability during the cutscene. Before it loops, it slows down.


{{clear}}
{{clear}}
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{{infobox track
{{infobox track
|name=Found S.S. Drake
|name=Found S.S. Drake
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/018-s.s.-drake-found-.mp3
|link=https://www.youtube.com/watch?v=7LS---x8kAA&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=15
|internal = demo_a10_00.o.32.dspadpcm.bfstm
|internal = demo_a10_00.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/019-signs-of-life-.mp3
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/019-signs-of-life-.mp3
|internal = demo_a10_01.o.32.dspadpcm.bfstm
|internal = demo_a10_01.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Brittany's theme
|name=Brittany's theme
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/020-brittany-s-theme.mp3
|link=https://www.youtube.com/watch?v=rnds7sIHFjQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=22
|internal = demo_a10_2_Connect.aa.32.dspadpcm.bfstm
|internal = demo_a10_2_Connect.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Nocturnal predators
|name=Nocturnal predators
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/021-creatures-of-the-night.mp3
|link=https://www.youtube.com/watch?v=Zb6JgDGJpAQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=26
|internal = demo_a10_03.o.32.dspadpcm.bfstm
|internal = demo_a10_03.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Area loading
|name=Area loading
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/024-helpful-hints.mp3
|link=https://www.youtube.com/watch?v=Q7LXJunYcO0&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=31
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Land in a new area
|name=Land in a new area
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/025-landing-in-a-new-area.mp3
|link=https://www.youtube.com/watch?v=PWhEcb8VhXY&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=17
|internal = demo_CourseIn.o.32.dspadpcm.bfstm demo_CourseIn_d00.o.32.dspadpcm.bfstm
|internal = demo_CourseIn.o.32.dspadpcm.bfstm demo_CourseIn_d00.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/026-a-new-discovery-.mp3
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/026-a-new-discovery-.mp3
|internal = demo_explain_loop.aa.32.dspadpcm.bfstm
|internal = demo_explain_loop.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/027-a-learning-experience.mp3
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/027-a-learning-experience.mp3
|internal = demo_explain_loop.aa.32.dspadpcm.bfstm
|internal = demo_explain_loop.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Found Brittany
|name=Found Brittany
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/034-brittany-s...-asleep-.mp3
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/48.%2520Brittany%2527s...%2520Asleep%2521.mp3
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Brittany's theme reprise
|name=Brittany's theme reprise
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/035-brittany-awakens.mp3
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/49.%2520Brittany%2520Awakens.mp3
|internal = demo_b11_Briconnect.aa.32.dspadpcm.bfstm
|internal = demo_b11_Briconnect.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Medusal Slurker encounter
|name=Medusal Slurker encounter
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/036-rock-pikmin-captured-.mp3
|link=https://www.youtube.com/watch?v=IX3QOXzdl4g&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=24
|internal = demo_b07_JellyfishFind.aa.32.dspadpcm.bfstm
|internal = demo_b07_JellyfishFind.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Rescued Brittany
|name=Rescued Brittany
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/037-brittany-rescued-.mp3
|link=https://www.youtube.com/watch?v=V3ohan3OD40&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=21
|internal = demo_b13_Briagain.aa.32.dspadpcm.bfstm
|internal = demo_b13_Briagain.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Recovered important item (loop)
|name=Recovered important item (loop)
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/038-got-an-important-item-.mp3
|link=https://www.youtube.com/watch?v=3AX0nDx7f2s&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=25
|internal = demo_get_Equipment.w.32.dspadpcm.bfstm
|internal = demo_get_Equipment.w.32.dspadpcm.bfstm
|composer  =Hajime Wakai
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=End of day
|name=End of day
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/039-end-of-day.mp3
|link=https://www.youtube.com/watch?v=T_4QdMiVgcE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=28
|internal = demo_dayend_normal.w.32.dspadpcm.bfstm
|internal = demo_dayend_normal.w.32.dspadpcm.bfstm
|composer  =Hajime Wakai
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Pikmin suffering
|name=Pikmin suffering
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/044-pikmin-in-distress-.mp3
|link=https://www.youtube.com/watch?v=0a0TV_cZU7g&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=37
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Pikmin suffering (loop)
|name=Pikmin suffering (loop)
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/045-pikmin-in-danger-.mp3
|link=https://www.youtube.com/watch?v=-jmMVaCEX08&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=39
|internal = demo_z17_PikuminDrown.aa.32.dspadpcm.bfstm
|internal = demo_z17_PikuminDrown.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Line 399: Line 412:
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/080-alph-down....mp3
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/080-alph-down....mp3
|internal = demo_PlayerDown.w.32.dspadpcm.bfstm
|internal = demo_PlayerDown.w.32.dspadpcm.bfstm
|composer  =Hajime Wakai
|header = y
|header = y
}}
}}
Line 409: Line 423:
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/101-pikmin-extinction....mp3
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/101-pikmin-extinction....mp3
|internal = demo_PikminExtinction.w.32.dspadpcm.bfstm
|internal = demo_PikminExtinction.w.32.dspadpcm.bfstm
|composer  =Hajime Wakai
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Game over
|name=Game over
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/083-game-over.mp3
|link=https://www.youtube.com/watch?v=moIZvRL7p4A&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=63
|internal = Gameover.o.32.dspadpcm.bfstm
|internal = Gameover.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Heard when a [[day]] ends with no [[juice]] remaining. A decelerating clock tick and baritone saxophone chime in to bring the playthrough's events to a sluggish close. Based on the whole-tone tendencies, the comical jaw-harp-like harmony, and the detuning timpani hit near the end, this little gesture seems to be playing more to mocking the failure of the player than to the doleful fate of the Koppaites. It seems that its brevity was intended to sound anticlimactic, perhaps to give the player more hope and indirect encouragement to continue.
Heard when a [[day]] ends with no [[juice]] remaining. A decelerating clock tick and baritone saxophone chime in to bring the playthrough's events to a sluggish close. Based on the whole-tone tendencies, the comical jaw-harp-like harmony, and the detuning timpani hit near the end, the introduction to this theme seems to be playing more to mocking the failure of the player than to the doleful fate of the Koppaites. It seems that its brevity was intended to sound anticlimactic, perhaps to give the player more hope and indirect encouragement to continue.


{{clear}}
The loop that follows is drastically different from the cue right before it. More of a collection of sounds, this loop uses space and register very adeptly, filling it with far-fetched and unrecognizable textures. Each sound on its own is triadic, or at least tonally coherent, but together they all mold together into a juxtaposition of modes, providing a background music bed. The looseness of this theme can be explained by its anomalous purpose: this theme has to score the game after the game is over.
 
{{infobox track
|name=Game over (loop)
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/084-continue-.mp3
|internal = Gameover.o.32.dspadpcm.bfstm
|header = y
}}
Heard when the message appears asking the player to continue after a game over. This loop is drastically different from the game over cue right before it. More of a collection of sounds, this loop uses space and register very adeptly, filling it with far-fetched and unrecognizable textures. Each sound on its own is triadic, or at least tonally coherent, but together they all mold together into a juxtaposition of modes, providing a background music bed. The looseness of this theme can be explained by its anomalous purpose: this theme has to score the game after the game is over.


{{clear}}
{{clear}}
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{{infobox track
{{infobox track
|name=Land in Distant Tundra
|name=Land in Distant Tundra
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/052-brittany-s-landing.mp3
|link=https://www.youtube.com/watch?v=wesaf5NbZZo&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=43
|internal = demo_CourseIn_c07.o.32.dspadpcm.bfstm
|internal = demo_CourseIn_c07.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Captain Charlie's theme
|name=Captain Charlie's theme
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/067-captain-charlie-s-theme.mp3
|link=https://www.youtube.com/watch?v=74nS7sHYeWQ&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=46
|internal = demo_c23_CharlieRap.aa.32.dspadpcm.bfstm
|internal = demo_c23_CharlieRap.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Louie's theme
|name=Louie's theme
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/077-louie-s-theme.mp3
|link=https://www.youtube.com/watch?v=JHQSYiUwJZs&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=51
|internal = demo_d06_02.o.32.dspadpcm.bfstm
|internal = demo_d06_02.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/078-louie-analysis.mp3
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/078-louie-analysis.mp3
|internal = demo_get_luie.w.32.dspadpcm.bfstm
|internal = demo_get_luie.w.32.dspadpcm.bfstm
|composer  =Hajime Wakai
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Louie escaped
|name=Louie escaped
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/079-follow-that-hocotatian-.mp3
|link=https://www.youtube.com/watch?v=ahGcrOG4Kkk&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=54
|internal = demo_b22.o.32.dspadpcm.bfstm
|internal = demo_b22.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Found Olimar
|name=Found Olimar
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/109-captain-olimar-found-.mp3
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/204.%2520Formidable%2520Oak%2520%2528Exterior%252C%2520Wraith%2527s%2520Lullaby%2529.mp3
|internal = demo_e12_FindOlimar.aa.32.dspadpcm.bfstm
|internal = demo_e12_FindOlimar.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Found Olimar (loop)
|name=Found Olimar (loop)
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/110-formidable-oak-exterior-the-mysterious-life-form-s-lullaby-.mp3
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/204.%2520Formidable%2520Oak%2520%2528Exterior%252C%2520Wraith%2527s%2520Lullaby%2529.mp3
|internal = demo_e12_FindOlimar.aa.32.dspadpcm.bfstm
|internal = demo_e12_FindOlimar.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Olimar released
|name=Olimar released
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/111-mysterious-life-form-battle-intro.mp3
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/205.%2520Formidable%2520Oak%2520%2528Exterior%252C%2520Mysterious%2520Life-Form%2520Battle%2520and%2520Aftermath%2529.mp3
|internal = demo_BossEHenka.aa.32.dspadpcm.bfstm
|internal = demo_BossEHenka.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Olimar released (loop)
|name=Olimar released (loop)
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/112-formidable-oak-exterior-mysterious-life-form-battle-and-aftermath-.mp3
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/205.%2520Formidable%2520Oak%2520%2528Exterior%252C%2520Mysterious%2520Life-Form%2520Battle%2520and%2520Aftermath%2529.mp3
|internal = demo_BossEHenka.aa.32.dspadpcm.bfstm
|internal = demo_BossEHenka.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Mysterious Life-form appears
|name=Mysterious Life-form appears
|link=http://downloads.khinsider.com/game-soundtracks/album/pikmin-3/113-the-mysterious-life-form-appears-.mp3
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/206.%2520The%2520Mysterious%2520Life-Form%2520Appears.mp3
|internal = demo_e01_BossEAppear.aa.32.dspadpcm.bfstm
|internal = demo_e01_BossEAppear.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Conclusion cutscene
|name=Conclusion cutscene
|link=https://www.youtube.com/watch?v=SsQUSw3Ppkg&index=51&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/213.%2520Captain%2520Olimar%2520and%2520the%2520Cosmic%2520Key.mp3
|internal=demo_s02_ending01_mix.yr.32.dspadpcm.bfstm
|internal=demo_s02_ending01_mix.yr.32.dspadpcm.bfstm
|header = y
|header = y
Line 551: Line 569:
{{infobox track
{{infobox track
|name=Ending (modest supply)
|name=Ending (modest supply)
|link=https://www.youtube.com/watch?v=V1UG7Ksx-pQ&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk&index=52
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/215.%2520Epilogue%2520%2528Bad%252C%2520Narration%2529.mp3
|internal = STRM_DEMO_s03_Epilogue01_48k.bfstm
|internal =STRM_DEMO_s03_Epilogue01_48k.bfstm
|header = y
|header = y
}}
}}
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{{infobox track
{{infobox track
|name=Ending (reasonable supply)
|name=Ending (reasonable supply)
|link=https://www.youtube.com/watch?v=oVrGzjHO_VI&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk&index=53
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/217.%2520Epilogue%2520%2528Okay%252C%2520Narration%2529.mp3
|internal = STRM_DEMO_s03_Epilogue02_48k.bfstm
|internal =STRM_DEMO_s03_Epilogue02_48k.bfstm
|header = y
|header = y
}}
}}
Line 571: Line 589:
{{infobox track
{{infobox track
|name=Ending (healthy supply)
|name=Ending (healthy supply)
|link=
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/219.%2520Epilogue%2520%2528Good%252C%2520Narration%2529.mp3
|internal = STRM_DEMO_s03_Epilogue03_48k.bfstm
|internal =STRM_DEMO_s03_Epilogue03_48k.bfstm
|header = y
|header = y
}}
}}
Line 581: Line 599:
{{infobox track
{{infobox track
|name=Ending (bountiful supply)
|name=Ending (bountiful supply)
|link=https://www.youtube.com/watch?v=ic9XM7DIJBI&index=54&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk
|link=https://downloads.khinsider.com/game-soundtracks/album/pikmin-3/221.%2520Epilogue%2520%2528Best%252C%2520Narration%2529.mp3
|internal = STRM_DEMO_s03_Epilogue04_48k.bfstm
|internal =STRM_DEMO_s03_Epilogue04_48k.bfstm
|header = y
|header = y
}}
}}
Line 591: Line 609:
{{infobox track
{{infobox track
|name=Credits
|name=Credits
|link=https://www.youtube.com/watch?v=ETMeYlLGjQM&list=PLz5gUls4mkX8JUFzdNYPyF5Rudaz3rVQk&index=55
|link=https://www.youtube.com/watch?v=ERuiiudNEpE&list=PLQWz7Y_QbVVybS_Zs-S8pjt67Nkilgfmv&index=64
|header = y
|header = y
}}
}}
Line 608: Line 626:
|name=Garden/Field/River/Tundra survey
|name=Garden/Field/River/Tundra survey
|link=https://youtu.be/fNrkPy0z-ss
|link=https://youtu.be/fNrkPy0z-ss
|composer  =Babi
|header = y
|header = y
}}
}}
Line 617: Line 636:
|name=Oak survey
|name=Oak survey
|link=https://youtu.be/wu89m1CNHlQ
|link=https://youtu.be/wu89m1CNHlQ
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
Line 626: Line 646:
|name=Olimar's Assignment ending
|name=Olimar's Assignment ending
|link=https://youtu.be/zxXfRBnOgBw
|link=https://youtu.be/zxXfRBnOgBw
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
Line 635: Line 656:
|name=Olimar's Comeback ending
|name=Olimar's Comeback ending
|link=https://youtu.be/_D_lxcZSz74
|link=https://youtu.be/_D_lxcZSz74
|composer  =Soshi Abe, Babi
|header = y
|header = y
}}
}}
Heard during the ending cutscene of Olimar's Comeback. The first part of the theme contains long and epic-sounding chords to emphasize the lift-off of Olimar and Louie. The second part of the theme is completely different, being in the style of the Side Stories gameplay themes, and contains many short notes on piano, percussion, and some strings, as well as human and Pikmin vocals. This theme is exclusive to ''Pikmin 3 Deluxe''.
Heard during the ending cutscene of Olimar's Comeback. The first part of the theme contains long and epic-sounding chords to emphasize the lift-off of Olimar and Louie. The second part of the theme is composed by Babi, also featuring her own live voice performance. It retains the style of the Side Stories gameplay themes, and contains sparse notes between piano, percussion, strings, and some additional Pikmin voice samples. This theme is exclusive to ''Pikmin 3 Deluxe''.


{{clear}}
{{clear}}
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|link=https://www.youtube.com/watch?v=dFyApDXpALw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=1
|link=https://www.youtube.com/watch?v=dFyApDXpALw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=1
|internal=STRM_BGM_Tutorial.bfstm
|internal=STRM_BGM_Tutorial.bfstm
|composer  =Asuka Hayazaki
}}
}}


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|link=https://www.youtube.com/watch?v=VWdlbMwx9Is&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=2
|link=https://www.youtube.com/watch?v=VWdlbMwx9Is&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=2
|internal=STRM_BGM_mapB_Morning.bfstm STRM_BGM_mapB_Day.bfstm mapB_Evening.o.32.dspadpcm.bfstm
|internal=STRM_BGM_mapB_Morning.bfstm STRM_BGM_mapB_Day.bfstm mapB_Evening.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
}}
}}


Line 685: Line 709:


'''Instruments'''
'''Instruments'''
*'''Main version''': Flute, pan flute, clarinet, bassoon, marimba, accordion, harp, glockenspiel-like synthesizer, and violins and violas.
*'''Main version''': Flute, pan flute, clarinet, bassoon, marimba, accordions, harp, glockenspiel-like synthesizer, and violins and violas.
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection.
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection.
*'''Task mix''': Hand drum, djembe, shaker, and pizzicato cellos.
*'''Task mix''': Hand drum, djembe, shaker, vocal synthesizer, and pizzicato cellos.
*'''Carrying mix''': Celeste.
*'''Carrying mix''': Celeste and music box.
*'''Weather version''': See '''[[#Rain|Rain]]'''.
*'''Weather version''': See '''[[#Rain|Rain]]'''.
*'''Afternoon version''': Same as main version, but piccolos, a full use of banjo, and pizzicato basses are added.
*'''Afternoon version''': Same as main version, but piccolos, a full use of banjo, and pizzicato basses are added.
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|linkp=https://www.youtube.com/watch?v=0hSVCDK2wtE&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=4
|linkp=https://www.youtube.com/watch?v=0hSVCDK2wtE&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=4
|internal=STRM_BGM_mapC_Morning.bfstm STRM_BGM_mapC_Day.bfstm mapC_Evening.o.32.dspadpcm.bfstm STRM_BGM_Snow_Morning.bfstm STRM_BGM_Snow_Day.bfstm Snow_Evening.o.32.dspadpcm.bfstm
|internal=STRM_BGM_mapC_Morning.bfstm STRM_BGM_mapC_Day.bfstm mapC_Evening.o.32.dspadpcm.bfstm STRM_BGM_Snow_Morning.bfstm STRM_BGM_Snow_Day.bfstm Snow_Evening.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
}}
}}


Line 710: Line 735:


'''Instruments'''
'''Instruments'''
*'''Main version''': Modified celeste, and vocal and organ-like synthesizers.
*'''Main version''': Celeste, pad synthesizers, and organ-like synthesizers.
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection.
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection.
*'''Task mix''': DX electric piano, and pizzicato cellos and basses.
*'''Task mix''': DX electric piano, and pizzicato cellos and basses.
*'''Carrying mix''': Concertina and sleigh bells.
*'''Carrying mix''': Calliope, calliope-like synthesizer, and sleigh bells.
*'''Weather version''': Tuned gongs, and vocal and organ-like synthesizers.
*'''Weather version''': Gamelan, pad synthesizers, and organ-like synthesizers.
*'''Afternoon version''': Same as main version.
*'''Afternoon version''': Same as main version.
*'''Sunset version''': Glockenspiel (long attack), modified handbells, and vocal synthesizers.
*'''Sunset version''': Glockenspiel (long attack), thin handbell-like synthesizer, and pad synthesizers.


It always snows on the first day [[Alph]] and [[Brittany]] arrive in the Distant Tundra.
It always snows on the first day [[Alph]] and [[Brittany]] arrive in the Distant Tundra. In the weather version, the calliope-like synthesizer is replaced with an accordion.


{{clear}}
{{clear}}
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|link=https://www.youtube.com/watch?v=pvbxG8G8IxA&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=5
|link=https://www.youtube.com/watch?v=pvbxG8G8IxA&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=5
|internal=STRM_BGM_mapA_Morning.bfstm STRM_BGM_mapA_Day.bfstm mapA_Evening.o.32.dspadpcm.bfstm
|internal=STRM_BGM_mapA_Morning.bfstm STRM_BGM_mapA_Day.bfstm mapA_Evening.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
}}
}}


Line 732: Line 758:


'''Instruments'''
'''Instruments'''
*'''Main version''': {{w|Overtone flute}}, fifes, bass {{w|marimbaphone}}, bamboo marimba, steel drum, metal tablas, cowbell, shaker, {{w|caxixi}}, concertina, and cicada-like synthesizer.
*'''Main version''': Kalimba, cowbell, {{w|overtone flute}}, cicada-like synthesizers, fifes, [https://www.youtube.com/watch?v=OftdeE1pTeA udu], mallet-like synthesizer, bass {{w|marimbaphone}}, steel drum, accordion, and shaker.
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection.
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection.
*'''Task mix''': Contrabass flute, african xylophone, conga, triangle, pad and bass synthesizers, and basses.
*'''Task mix''': Conga, triangle, tube drums, pad and bass synthesizers, contrabass flute, and guitar-like synthesizer.
*'''Carrying mix''': Dulcimer and celeste synthesizer.
*'''Carrying mix''': Gong and celeste synthesizers.
*'''Weather version''': See '''[[#Rain|Rain]]'''.
*'''Weather version''': See '''[[#Rain|Rain]]'''.
*'''Afternoon version''': Same as main version, but the intro contains bass accordion.
*'''Afternoon version''': Same as main version, but the intro contains bass accordion.
*'''Sunset version''': Fifes, modified celeste, marimbaphone, metal tablas, cowbell, and concertina.
*'''Sunset version''': Fifes, modified celeste, marimbaphone, udu, cowbell, and accordion.


{{clear}}
{{clear}}
Line 747: Line 773:
|link=https://www.youtube.com/watch?v=khwVnJFOd1c&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=6
|link=https://www.youtube.com/watch?v=khwVnJFOd1c&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=6
|internal=STRM_BGM_mapD_Morning.bfstm STRM_BGM_mapD_Day.bfstm mapD_Evening.o.32.dspadpcm.bfstm
|internal=STRM_BGM_mapD_Morning.bfstm STRM_BGM_mapD_Day.bfstm mapD_Evening.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
}}
}}


Line 752: Line 779:


'''Instruments'''
'''Instruments'''
*'''Main version''': Bassoons, handbells, shaker, acoustic guitar, accordion, pad synthesizer, and violin (also playing {{w|double stop}}) and viola.
*'''Main version''': Bassoons, handbells, shaker, acoustic guitar, accordions, pad synthesizer, and violin (also playing {{w|double stop}}) and viola.
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection.
*'''Enemy mix''': Timpani, snare drum, crash cymbals, and bell collection.
*'''Task mix''': Congas, talking drum, synth bass, and several types of vocal synthesizer.
*'''Task mix''': Congas, talking drum, synth bass, and vocal synthesizer.
*'''Carrying mix''': Sine-wave-like synthesizer.
*'''Carrying mix''': Glockenspiel-like synthesizer, and log drum.
*'''Weather version''': See '''[[#Rain|Rain]]'''.
*'''Weather version''': See '''[[#Rain|Rain]]'''.
*'''Afternoon version''': Same as main version, but the intro contains a glockenspiel-like synthesizer.
*'''Afternoon version''': Same as main version, but the intro contains a glockenspiel.
*'''Sunset version''': Soprano bassoons, celeste, Hang drum, accordion, and violin.
*'''Sunset version''': Soprano bassoons, celeste, glockenspiel, accordions, and violin.


{{clear}}
{{clear}}
Line 768: Line 795:
|linkp=https://www.youtube.com/watch?v=F5464xG_d0w&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=11
|linkp=https://www.youtube.com/watch?v=F5464xG_d0w&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=11
|internal=mapE_1stday.o.32.dspadpcm.bfstm mapE_1stday_evening.o.32.dspadpcm.bfstm mapE.o.32.dspadpcm.bfstm mapE_Evening.o.32.dspadpcm.bfstm
|internal=mapE_1stday.o.32.dspadpcm.bfstm mapE_1stday_evening.o.32.dspadpcm.bfstm mapE.o.32.dspadpcm.bfstm mapE_Evening.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
}}
}}


Line 803: Line 831:
|link=https://www.youtube.com/watch?v=7utH56a7fAg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=7
|link=https://www.youtube.com/watch?v=7utH56a7fAg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=7
|internal=STRM_BGM_Rain_Morning.bfstm STRM_BGM_Rain_Day.bfstm Rain_evening.o.32.dspadpcm.bfstm
|internal=STRM_BGM_Rain_Morning.bfstm STRM_BGM_Rain_Day.bfstm Rain_evening.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
}}
}}


Line 826: Line 855:
|name=Boss battle intro
|name=Boss battle intro
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m00s
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m00s
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Line 834: Line 864:
|name=Boss battle
|name=Boss battle
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m24s
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m24s
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
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|name=Boss attack
|name=Boss attack
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m10s
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m10s
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Line 866: Line 898:
|name=Pikmin vulnerable
|name=Pikmin vulnerable
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m58s
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m58s
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Heard if Pikmin were captured during a boss attack, or during an especially dangerous attack. The extremely low registers return here, along with a heavy bass drum hit and dramatic rips in the horns. The high woodwinds and strings play a piercing punctual texture, almost as if expressively crying for help.
Heard if Pikmin were captured during a boss attack, or during an especially dangerous attack. The extremely low registers return here, along with a heavy bass drum hit and dramatic rips in the horns. The high woodwinds and strings play a piercing punctual texture, almost as if expressively crying for help. This song also plays in ''[[Occupational Hazards]]''.


{{clear}}
{{clear}}
Line 874: Line 907:
|name=Boss vulnerable
|name=Boss vulnerable
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m23s
|link=https://www.youtube.com/watch?v=4fs4mfLdMoQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=1m23s
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Line 893: Line 927:
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=0m00s
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=0m00s
|internal = STRM_BGM_Ohbake_Lv0.bfstm
|internal = STRM_BGM_Ohbake_Lv0.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Line 902: Line 937:
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=2m52s
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=2m52s
|internal = STRM_BGM_Ohbake_Lv3.bfstm
|internal = STRM_BGM_Ohbake_Lv3.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Line 911: Line 947:
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=11m31s
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=11m31s
|internal = demo_BossCLightOn.o.32.dspadpcm.bfstm
|internal = demo_BossCLightOn.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Line 920: Line 957:
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=11m36s
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=11m36s
|internal = BossC_LastChance.o.32.dspadpcm.bfstm
|internal = BossC_LastChance.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Line 929: Line 967:
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=13m27s
|link=https://www.youtube.com/watch?v=a6eaUxTL-qw&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=13&t=13m27s
|internal=demo_bossCDie.o.32.dspadpcm.bfstm
|internal=demo_bossCDie.o.32.dspadpcm.bfstm
|composer  =Asuka Hayazaki
|header = y
|header = y
}}
}}
Line 942: Line 981:
|name=Mysterious Life-Form
|name=Mysterious Life-Form
|link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10
|link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10
|internal = STRM_BGM_Metaboss01_Escape.bfstm
|internal =STRM_BGM_Metaboss01_Escape.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Line 951: Line 991:
|name=Mysterious Life-Form (near Olimar)
|name=Mysterious Life-Form (near Olimar)
|link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10&t=1m13s
|link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10&t=1m13s
|internal = STRM_BGM_Metaboss01_Escape.bfstm
|internal =STRM_BGM_Metaboss01_Escape.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Line 960: Line 1,001:
|name=Mysterious Life-Form (Olimar captured)
|name=Mysterious Life-Form (Olimar captured)
|link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10&t=2m16s
|link=https://www.youtube.com/watch?v=fakasKReEyg&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=10&t=2m16s
|internal = Metaboss01_Catch.aa.32.dspadpcm.bfstm
|internal =Metaboss01_Catch.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Line 969: Line 1,011:
|name=Escaped Formidable Oak
|name=Escaped Formidable Oak
|link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m00s
|link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m00s
|internal = demo_e02_BossETransform.aa.32.dspadpcm.bfstm
|internal =demo_e02_BossETransform.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Line 978: Line 1,021:
|name=Plasm Wraith battle
|name=Plasm Wraith battle
|link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m23s
|link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=0m23s
|internal = Metaboss02.aa.32.dspadpcm.bfstm demo_Mission_BossETransform.aa.32.dspadpcm.bfstm
|internal =Metaboss02.aa.32.dspadpcm.bfstm demo_Mission_BossETransform.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Line 989: Line 1,033:
|name=Plasm Wraith defeated
|name=Plasm Wraith defeated
|link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=3m54s
|link=https://www.youtube.com/watch?v=vZ9bhTnRWNY&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=15&t=3m54s
|internal = demo_Metaboss_die.aa.32.dspadpcm.bfstm
|internal =demo_Metaboss_die.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Line 1,012: Line 1,057:
|name=Mission Mode (stages 1-10)
|name=Mission Mode (stages 1-10)
|link=https://www.youtube.com/watch?v=pEgXY6zq8II&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=16
|link=https://www.youtube.com/watch?v=pEgXY6zq8II&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=16
|internal = STRM_BGM_Mission_Poko.bfstm STRM_BGM_Mission_Poko_HurryUp.bfstm
|internal =STRM_BGM_Mission_Poko.bfstm STRM_BGM_Mission_Poko_HurryUp.bfstm
|header = y
|header = y
}}
}}
Line 1,022: Line 1,067:
|name=Fortress of Festivity
|name=Fortress of Festivity
|link=https://www.youtube.com/watch?v=gC8kuiR_LWQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=17
|link=https://www.youtube.com/watch?v=gC8kuiR_LWQ&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=17
|internal = STRM_BGM_DLC2.bfstm STRM_BGM_DLC_HurryUp.bfstm
|internal =STRM_BGM_DLC2.bfstm STRM_BGM_DLC_HurryUp.bfstm
|header = y
|header = y
}}
}}
Line 1,032: Line 1,077:
|name=Mission Mode (stages 12-15)
|name=Mission Mode (stages 12-15)
|link=https://www.youtube.com/watch?v=HyIzmoQczgo&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=18
|link=https://www.youtube.com/watch?v=HyIzmoQczgo&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=18
|internal = STRM_BGM_DLC.bfstm STRM_BGM_DLC_HurryUp.bfstm
|internal =STRM_BGM_DLC.bfstm STRM_BGM_DLC_HurryUp.bfstm
|header = y
|header = y
}}
}}
Line 1,051: Line 1,096:
{{infobox track
{{infobox track
|name=After hours
|name=After hours
|link=https://youtu.be/nxHczb13QqM
|link=https://youtube.com/watch?v=z_sp31IQLnw&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=8
|internal =  
|internal =  
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
Line 1,067: Line 1,113:
|name=Olimar's Assignment (days 1-2)
|name=Olimar's Assignment (days 1-2)
|link=https://www.youtube.com/watch?v=GvAOAEyMNVI&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=1
|link=https://www.youtube.com/watch?v=GvAOAEyMNVI&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=1
|internal = STRM_BGM_sidestoryA_1
|internal =STRM_BGM_sidestoryA_1
|composer  =Babi
|header = y
|header = y
}}
}}
Line 1,077: Line 1,124:
|name=Olimar's Assignment (days 3-4)
|name=Olimar's Assignment (days 3-4)
|link=https://www.youtube.com/watch?v=4ZQYB-RRv1s&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=2
|link=https://www.youtube.com/watch?v=4ZQYB-RRv1s&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=2
|internal = STRM_BGM_sidestoryA_2
|internal =STRM_BGM_sidestoryA_2
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
Line 1,087: Line 1,135:
|name=Olimar's Comeback (days 1-3)
|name=Olimar's Comeback (days 1-3)
|link=https://www.youtube.com/watch?v=BLOyOcbhrRc&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=3
|link=https://www.youtube.com/watch?v=BLOyOcbhrRc&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=3
|internal = STRM_BGM_sidestoryB_1
|internal =STRM_BGM_sidestoryB_1
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
Heard during [[Pikmin Reunion]], [[Creature Hunting]], and [[Land, Sea, and Sky]]. This theme has several contrasting sections, but a constant rhythm of short notes plays throughout most of the song. One section prominently features a repeating melody on xylophone, while another features a guitar pattern with the ''Pikmin'' motif on top, while another features long notes with crescendos and decrescendos played on strings and accordion. The treasure mix contains various synthesizers, including the cymbalesque synthesizer from [[The Distant Spring]]'s theme.
Heard during [[Pikmin Reunion]], [[Creature Hunting]], and [[Land, Sea, and Sky]]. This theme has several contrasting sections, but a constant rhythm of short notes plays throughout most of the song. One section prominently features a repeating melody on xylophone, while another features a guitar pattern with the ''Pikmin'' motif on top, while another features long notes with crescendos and decrescendos played on strings and accordion. The motif in question specifically seems to reference the melody that plays at the end of ''[[Music_in_Pikmin#Live_as_a_Pikmin|Live as a Pikmin]]'' from the first ''Pikmin'' game. The treasure mix contains various synthesizers, including the cymbalesque synthesizer from [[The Distant Spring]]'s theme.


{{clear}}
{{clear}}
Line 1,097: Line 1,146:
|name=Olimar's Comeback (days 4-6)
|name=Olimar's Comeback (days 4-6)
|link=https://www.youtube.com/watch?v=dc-IKp5AUw0&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=4
|link=https://www.youtube.com/watch?v=dc-IKp5AUw0&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=4
|internal = STRM_BGM_sidestoryB_2
|internal =STRM_BGM_sidestoryB_2
|composer  =Babi
|header = y
|header = y
}}
}}
Line 1,107: Line 1,157:
|name=Olimar's Comeback (days 7-8)
|name=Olimar's Comeback (days 7-8)
|link=https://www.youtube.com/watch?v=54K2_KPyNac&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=5
|link=https://www.youtube.com/watch?v=54K2_KPyNac&list=PLwyW5mbdZMGPnk6-ileXfajY5P_ibv6jj&index=5
|internal = STRM_BGM_sidestoryB_3
|internal =STRM_BGM_sidestoryB_3
|composer  =Babi
|header = y
|header = y
}}
}}
Line 1,117: Line 1,168:
|name=Olimar's Comeback (days 9-10)
|name=Olimar's Comeback (days 9-10)
|link=https://www.youtube.com/watch?v=xcKrPPsEaY4
|link=https://www.youtube.com/watch?v=xcKrPPsEaY4
|internal = STRM_BGM_sidestoryB_4
|internal =STRM_BGM_sidestoryB_4
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
Line 1,127: Line 1,179:
|name=Golden arachnorb battle
|name=Golden arachnorb battle
|link=https://www.youtube.com/watch?v=dwn4Gsid8ME
|link=https://www.youtube.com/watch?v=dwn4Gsid8ME
|internal = GROUP_STATIC_00000F2D
|internal =GROUP_STATIC_00000F2D
|composer  =Soshi Abe
|header = y
|header = y
}}
}}
Line 1,148: Line 1,201:
|name=Battle start
|name=Battle start
|link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=0m00s
|link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=0m00s
|internal = GROUP_MAPE_000001E6
|internal =GROUP_MAPE_000001E6
|header = y
|header = y
}}
}}
Heard as a battle is beginning, when the bingo cards appear. The small cue is entirely synthesized and very simple; the tension it builds for the bingo cards is there but not extreme by any regard. The appearance of the cards is accented by a synthetic horn section fall.
Heard as a battle is beginning, when the bingo cards appear. The small cue is entirely synthesized and very simple; the tension it builds for the bingo cards is there but not extreme by any regard. The appearance of the cards is accented by a synthetic horn section fall. A {{w|Lion's roar (instrument)|lion's roar}} also plays in the back, which is the same background instrument used in the title screen music of ''Pikmin''.


{{clear}}
{{clear}}
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|name=Bingo Battle 1 (nature)
|name=Bingo Battle 1 (nature)
|link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19
|link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19
|internal = STRM_BGM_Vs.bfstm
|internal =STRM_BGM_Vs.bfstm
|header = y
|header = y
}}
}}
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|name=Bingo Battle 2 (metal)
|name=Bingo Battle 2 (metal)
|link=https://www.youtube.com/watch?v=vjXjdlQcEyA&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=20
|link=https://www.youtube.com/watch?v=vjXjdlQcEyA&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=20
|internal = STRM_BGM_VsBlues.bfstm
|internal =STRM_BGM_VsBlues.bfstm
|header = y
|header = y
}}
}}
Line 1,178: Line 1,231:
|name=Bingo Battle 3 (toys)
|name=Bingo Battle 3 (toys)
|link=https://www.youtube.com/watch?v=K1l3doKunW8&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=21
|link=https://www.youtube.com/watch?v=K1l3doKunW8&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=21
|internal = STRM_BGM_VsToy.bfstm
|internal =STRM_BGM_VsToy.bfstm
|header = y
|header = y
}}
}}
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|name=One Away!
|name=One Away!
|link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=3m59s
|link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=3m59s
|internal = STRM_BGM_Vs_Reach.bfstm
|internal =STRM_BGM_Vs_Reach.bfstm
|header = y
|header = y
}}
}}
Line 1,207: Line 1,260:
|name=Victory
|name=Victory
|link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=4m47
|link=https://www.youtube.com/watch?v=oPuInUnfcpI&list=PLwyW5mbdZMGPzMMop2zbcJ84a8ZDveh4O&index=19&t=4m47
|internal = ff_WinLoop.aa.32.dspadpcm.bfstm
|internal =ff_WinLoop.aa.32.dspadpcm.bfstm
|composer  =Atsuko Asahi
|header = y
|header = y
}}
}}
Line 1,232: Line 1,286:
*A [[Glitches in Pikmin 3#Warped sunset music|small glitch]] occurs when a day ends while the player looks at the [[radar]] (with the "play" button active, meaning time still passes). The music is put through a hi-pass filter and compressor whenever the map screen is active, making the music sound like it comes from small radio speakers. This filter was not programmed to turn off without player input, so it will remain over the "end of day" theme if it is active at the day's end (although the "today's results" theme will be normal).
*A [[Glitches in Pikmin 3#Warped sunset music|small glitch]] occurs when a day ends while the player looks at the [[radar]] (with the "play" button active, meaning time still passes). The music is put through a hi-pass filter and compressor whenever the map screen is active, making the music sound like it comes from small radio speakers. This filter was not programmed to turn off without player input, so it will remain over the "end of day" theme if it is active at the day's end (although the "today's results" theme will be normal).
*In the "sunset" variant of ''Pikmin 3''{{'s}} title screen, if the player waits for the music to end, they will hear different sounds from the "daytime" variant. Along with birds, cicadas can be heard chirping, and even a sheep can faintly bleat. It is unknown whether this is supposed to be a real sheep, or instead a sheep-like enemy, because both are never seen anywhere else in the series.
*In the "sunset" variant of ''Pikmin 3''{{'s}} title screen, if the player waits for the music to end, they will hear different sounds from the "daytime" variant. Along with birds, cicadas can be heard chirping, and even a sheep can faintly bleat. It is unknown whether this is supposed to be a real sheep, or instead a sheep-like enemy, because both are never seen anywhere else in the series.
==See also==
*[[Music]]
*[[Music in Pikmin|Music in ''Pikmin'']]
*[[Music in Pikmin 2|Music in ''Pikmin 2'']]


==References==
==References==
{{refs}}
{{refs}}


[[Category:Music]]
{{music}}
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